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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

26
A
B
C
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F
G
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O
P
Q
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U
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W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
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X
Y
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-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
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T
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X
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Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
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E
F
G
H
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K
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M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
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L
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N
O
P
Q
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T
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X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
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E
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O
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X
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Z
-
-
9
-
-
8
-
9
-
9

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

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1
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3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
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N
O
P
Q
R
S
T
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-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
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L
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N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
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U
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X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

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1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

26
A
B
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F
G
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I
J
K
L
M
N
O
P
Q
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U
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W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
10
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVES SOLVE LOVES

EVOLVE LOVE EVOLVE

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
-
-
1
-
3
Essence of Number
9
9
9

 

 

-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
6
1
-
-
-
-
-
1
-
6
5
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
15
19
-
-
-
-
-
19
-
15
14
-
+
=
82
8+2
=
10
1+0
1
=
1
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
5
2
2
1
-
-
2
-
-
5
+
=
26
2+6
=
8
=
8
=
8
-
-
18
-
-
5
20
20
1
-
-
20
-
-
5
+
=
89
8+9
=
17
1+7
8
=
8
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
18
15
19
5
20
20
1
-
19
20
15
14
5
+
=
171
1+7+1
=
9
=
9
=
9
-
-
9
6
1
5
2
2
1
-
1
2
6
5
5
+
=
45
4+5
=
9
=
9
=
9
-
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
-
2
2
-
-
-
2
-
-
-
-
-
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
5
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
22
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
23
-
-
12
-
45
-
27
2+2
1+2
9
-``
-
-
-
-
-
-
-
-
-``
-
-
-
-
2+3
-
-
1+2
-
4+5
-
2+7
4
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9
-
-
9
6
1
5
2
2
1
-
1
2
6
5
5
-
-
-
-
-
-
-
-
-
-
4
3
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
5
-
-
3
-
9
-
9

 

 

12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
-
6
1
-
-
-
-
-
1
-
6
5
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
15
19
-
-
-
-
-
19
-
15
14
-
+
=
82
8+2
=
10
1+0
1
=
1
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
9
-
-
5
2
2
1
-
-
2
-
-
5
+
=
26
2+6
=
8
=
8
=
8
-
18
-
-
5
20
20
1
-
-
20
-
-
5
+
=
89
8+9
=
17
1+7
8
=
8
12
R
O
S
E
T
T
A
-
S
T
O
N
E
-
-
-
-
-
-
-
-
-
-
-
18
15
19
5
20
20
1
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19
20
15
14
5
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171
1+7=1
=
9
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9
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9
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9
6
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5
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6
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6
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27
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9
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5
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Alphabet - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Alphabet‎

An alphabet is a standard set of letters (basic written symbols or graphemes) which is used to write one or more languages based on the general principle that ...

Alphabet

From Wikipedia, the free encyclopedia

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This article is about sets of letters used in written languages. For other uses, see Alphabet (disambiguation).

An alphabet is a standard set of letters (basic written symbols or graphemes) which is used to write one or more languages based on the general principle that the letters represent phonemes (basic significant sounds) of the spoken language. This is in contrast to other types of writing systems, such as syllabaries (in which each character represents a syllable) and logographies (in which each character represents a word, morpheme or semantic unit).

A true alphabet has letters for the vowels of a language as well as the consonants. The first "true alphabet" in this sense is believed to be the Greek alphabet,[1][2] which is a modified form of the Phoenician alphabet. In other types of alphabet either the vowels are not indicated at all, as was the case in the Phoenician alphabet (such systems are known as abjads), or else the vowels are shown by diacritics or modification of consonants, as in the devanagari used in India and Nepal (these systems are known as abugidas or alphasyllabaries).

There are dozens of alphabets in use today, the most popular being the Latin alphabet[3] (which was derived from the Greek). Many languages use modified forms of the Latin alphabet, with additional letters formed using diacritical marks. While most alphabets have letters composed of lines (linear writing), there are also exceptions such as the alphabets used in Braille, fingerspelling, and Morse code.

Alphabets are usually associated with a standard ordering of their letters. This makes them useful for purposes of collation, specifically by allowing words to be sorted in alphabetical order. It also means that their letters can be used as an alternative method of "numbering" ordered items, in such contexts as numbered lists.

Contents
[hide] 1 Etymology
2 History 2.1 Middle Eastern scripts
2.2 European alphabets
2.3 Asian alphabets

3 Types
4 Alphabetical order
5 Names of letters
6 Orthography and pronunciation
7 See also
8 References
9 Bibliography
10 External links

Etymology[edit]

The English word alphabet came into Middle English from the Late Latin word alphabetum, which in turn originated in the Greek ἀλφάβητος (alphabētos), from alpha and beta, the first two letters of the Greek alphabet.[4] Alpha and beta in turn came from the first two letters of the Phoenician alphabet, and originally meant ox and house respectively.

History[edit]

Main article: History of the alphabet

A Specimen of typeset fonts and languages, by William Caslon, letter founder; from the 1728 Cyclopaedia.
Middle Eastern scripts[edit]

The history of the alphabet started in ancient Egypt. By the 27th century BC Egyptian writing had a set of some 24 hieroglyphs which are called uniliterals,[5] to represent syllables that begin with a single consonant of their language, plus a vowel (or no vowel) to be supplied by the native speaker. These glyphs were used as pronunciation guides for logograms, to write grammatical inflections, and, later, to transcribe loan words and foreign names.[6]

A specimen of Proto-Sinaitic script, one of the earliest (if not the very first) phonemic scripts
In the Middle Bronze Age an apparently "alphabetic" system known as the Proto-Sinaitic script appears in Egyptian turquoise mines in the Sinai peninsula dated to circa the 15th century BC, apparently left by Canaanite workers. In 1999, John and Deborah Darnell discovered an even earlier version of this first alphabet at Wadi el-Hol dated to circa 1800 BC and showing evidence of having been adapted from specific forms of Egyptian hieroglyphs that could be dated to circa 2000 BC, strongly suggesting that the first alphabet had been developed circa that time.[7] Based on letter appearances and names, it is believed to be based on Egyptian hieroglyphs.[8] This script had no characters representing vowels. An alphabetic cuneiform script with 30 signs including three which indicate the following vowel was invented in Ugarit before the 15th century BC. This script was not used after the destruction of Ugarit.[9]

The Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called "Proto-Canaanite" before ca. 1050 BC.[10] The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram. This script is the parent script of all western alphabets. By the tenth century two other forms can be distinguished namely Canaanite and Aramaic. The Aramaic gave rise to Hebrew.[11] The South Arabian alphabet, a sister script to the Phoenician alphabet, is the script from which the Ge'ez alphabet (an abugida) is descended. Vowelless alphabets, which are not true alphabets, are called abjads, currently exemplified in scripts including Arabic, Hebrew, and Syriac. The omission of vowels was not a satisfactory solution and some "weak" consonants were used to indicate the vowel quality of a syllable (matres lectionis). These had dual function since they were also used as pure consonants.[12]

The Proto-Sinatic or Proto Canaanite script and the Ugaritic script were the first scripts with limited number of signs, in contrast to the other widely used writing systems at the time, Cuneiform, Egyptian hieroglyphs, and Linear B. The Phoenician script was probably the first phonemic script[8][10] and it contained only about two dozen distinct letters, making it a script simple enough for common traders to learn. Another advantage of Phoenician was that it could be used to write down many different languages, since it recorded words phonemically.

The script was spread by the Phoenicians, across the Mediterranean.[10] In Greece, the script was modified to add the vowels, giving rise to the ancestor of all alphabets in the West. The indication of the vowels is the same way as the indication of the consonants, therefore it was the first true alphabet. The Greeks took letters which did not represent sounds that existed in Greek, and changed them to represent the vowels. The vowels are significant in the Greek language, and the syllabical Linear B script which was used by the Mycenaean Greeks from the 16th century BC had 87 symbols including 5 vowels. In its early years, there were many variants of the Greek alphabet, a situation which caused many different alphabets to evolve from it.

European alphabets[edit]

Codex Zographensis in the Glagolitic alphabet from Medieval Bulgaria
The Greek alphabet, in its Euboean form, was carried over by Greek colonists to the Italian peninsula, where it gave rise to a variety of alphabets used to write the Italic languages. One of these became the Latin alphabet, which was spread across Europe as the Romans expanded their empire. Even after the fall of the Roman state, the alphabet survived in intellectual and religious works. It eventually became used for the descendant languages of Latin (the Romance languages) and then for most of the other languages of Europe.

Some adaptations of the Latin alphabet are augmented with ligatures, such as æ in Old English and Icelandic and Ȣ in Algonquian; by borrowings from other alphabets, such as the thorn þ in Old English and Icelandic, which came from the Futhark runes; and by modifying existing letters, such as the eth ð of Old English and Icelandic, which is a modified d. Other alphabets only use a subset of the Latin alphabet, such as Hawaiian, and Italian, which uses the letters j, k, x, y and w only in foreign words.

Another notable script is Elder Futhark, which is believed to have evolved out of one of the Old Italic alphabets. Elder Futhark gave rise to a variety of alphabets known collectively as the Runic alphabets. The Runic alphabets were used for Germanic languages from AD 100 to the late Middle Ages. Its usage is mostly restricted to engravings on stone and jewelry, although inscriptions have also been found on bone and wood. These alphabets have since been replaced with the Latin alphabet, except for decorative usage for which the runes remained in use until the 20th century.

The Old Hungarian script is a contemporary writing system of the Hungarians. It was in use during the entire history of Hungary, albeit not as an official writing system. From the 19th century it once again became more and more popular.

The Glagolitic alphabet was the initial script of the liturgical language Old Church Slavonic and became, together with the Greek uncial script, the basis of the Cyrillic script. Cyrillic is one of the most widely used modern alphabetic scripts, and is notable for its use in Slavic languages and also for other languages within the former Soviet Union. Cyrillic alphabets include the Serbian, Macedonian, Bulgarian, and Russian alphabets. The Glagolitic alphabet is believed to have been created by Saints Cyril and Methodius, while the Cyrillic alphabet was invented by the Bulgarian scholar Clement of Ohrid, who was their disciple. They feature many letters that appear to have been borrowed from or influenced by the Greek alphabet and the Hebrew alphabet.

Asian alphabets[edit]

Beyond the logographic Chinese writing, many phonetic scripts are in existence in Asia. The Arabic alphabet, Hebrew alphabet, Syriac alphabet, and other abjads of the Middle East are developments of the Aramaic alphabet, but because these writing systems are largely consonant-based they are often not considered true alphabets.

Most alphabetic scripts of India and Eastern Asia are descended from the Brahmi script, which is often believed to be a descendant of Aramaic.

Zhuyin on a cell phone
In Korea, the Hangul alphabet was created by Sejong the Great[13] Hangul is a unique alphabet: it is a featural alphabet, where many of the letters are designed from a sound's place of articulation (P to look like the widened mouth, L to look like the tongue pulled in, etc.); its design was planned by the government of the day; and it places individual letters in syllable clusters with equal dimensions, in the same way as Chinese characters, to allow for mixed-script writing[citation needed] (one syllable always takes up one type-space no matter how many letters get stacked into building that one sound-block).

Zhuyin (sometimes called Bopomofo) is a semi-syllabary used to phonetically transcribe Mandarin Chinese in the Republic of China. After the later establishment of the People's Republic of China and its adoption of Hanyu Pinyin, the use of Zhuyin today is limited, but it's still widely used in Taiwan where the Republic of China still governs. Zhuyin developed out of a form of Chinese shorthand based on Chinese characters in the early 1900s and has elements of both an alphabet and a syllabary. Like an alphabet the phonemes of syllable initials are represented by individual symbols, but like a syllabary the phonemes of the syllable finals are not; rather, each possible final (excluding the medial glide) is represented by its own symbol. For example, luan is represented as ㄌㄨㄢ (l-u-an), where the last symbol ㄢ represents the entire final -an. While Zhuyin is not used as a mainstream writing system, it is still often used in ways similar to a romanization system—that is, for aiding in pronunciation and as an input method for Chinese characters on computers and cellphones.

European alphabets, especially Latin and Cyrillic, have been adapted for many languages of Asia. Arabic is also widely used, sometimes as an abjad (as with Urdu and Persian) and sometimes as a complete alphabet (as with Kurdish and Uyghur).

Types[edit]

Alphabets: Armenian , Cyrillic , Georgian , Greek , Latin , Latin (and Arabic) , Latin and Cyrillic
Abjads: Arabic , Hebrew
Abugidas: North Indic , South Indic , Ge'ez , Tāna , Canadian Syllabic and Latin
Logographic+syllabic: Pure logographic , Mixed logographic and syllabaries , Featural-alphabetic syllabary + limited logographic , Featural-alphabetic syllabary

History of the alphabet[show]

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The term "alphabet" is used by linguists and paleographers in both a wide and a narrow sense. In the wider sense, an alphabet is a script that is segmental at the phoneme level—that is, it has separate glyphs for individual sounds and not for larger units such as syllables or words. In the narrower sense, some scholars distinguish "true" alphabets from two other types of segmental script, abjads and abugidas. These three differ from each other in the way they treat vowels: abjads have letters for consonants and leave most vowels unexpressed; abugidas are also consonant-based, but indicate vowels with diacritics to or a systematic graphic modification of the consonants. In alphabets in the narrow sense, on the other hand, consonants and vowels are written as independent letters.[14] The earliest known alphabet in the wider sense is the Wadi el-Hol script, believed to be an abjad, which through its successor Phoenician is the ancestor of modern alphabets, including Arabic, Greek, Latin (via the Old Italic alphabet), Cyrillic (via the Greek alphabet) and Hebrew (via Aramaic).

Examples of present-day abjads are the Arabic and Hebrew scripts; true alphabets include Latin, Cyrillic, and Korean hangul; and abugidas are used to write Tigrinya, Amharic, Hindi, and Thai. The Canadian Aboriginal syllabics are also an abugida rather than a syllabary as their name would imply, since each glyph stands for a consonant which is modified by rotation to represent the following vowel. (In a true syllabary, each consonant-vowel combination would be represented by a separate glyph.)

All three types may be augmented with syllabic glyphs. Ugaritic, for example, is basically an abjad, but has syllabic letters for /ʔa, ʔi, ʔu/. (These are the only time vowels are indicated.) Cyrillic is basically a true alphabet, but has syllabic letters for /ja, je, ju/ (я, е, ю); Coptic has a letter for /ti/. Devanagari is typically an abugida augmented with dedicated letters for initial vowels, though some traditions use अ as a zero consonant as the graphic base for such vowels.

The boundaries between the three types of segmental scripts are not always clear-cut. For example, Sorani Kurdish is written in the Arabic script, which is normally an abjad. However, in Kurdish, writing the vowels is mandatory, and full letters are used, so the script is a true alphabet. Other languages may use a Semitic abjad with mandatory vowel diacritics, effectively making them abugidas. On the other hand, the Phagspa script of the Mongol Empire was based closely on the Tibetan abugida, but all vowel marks were written after the preceding consonant rather than as diacritic marks. Although short a was not written, as in the Indic abugidas, one could argue that the linear arrangement made this a true alphabet. Conversely, the vowel marks of the Tigrinya abugida and the Amharic abugida (ironically, the original source of the term "abugida") have been so completely assimilated into their consonants that the modifications are no longer systematic and have to be learned as a syllabary rather than as a segmental script. Even more extreme, the Pahlavi abjad eventually became logographic. (See below.)

Ge'ez Script of Ethiopia
Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abjads are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abugidas. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.

The number of letters in an alphabet can be quite small. The Book Pahlavi script, an abjad, had only twelve letters at one point, and may have had even fewer later on. Today the Rotokas alphabet has only twelve letters. (The Hawaiian alphabet is sometimes claimed to be as small, but it actually consists of 18 letters, including the ʻokina and five long vowels.) While Rotokas has a small alphabet because it has few phonemes to represent (just eleven), Book Pahlavi was small because many letters had been conflated—that is, the graphic distinctions had been lost over time, and diacritics were not developed to compensate for this as they were in Arabic, another script that lost many of its distinct letter shapes. For example, a comma-shaped letter represented g, d, y, k, or j. However, such apparent simplifications can perversely make a script more complicated. In later Pahlavi papyri, up to half of the remaining graphic distinctions of these twelve letters were lost, and the script could no longer be read as a sequence of letters at all, but instead each word had to be learned as a whole—that is, they had become logograms as in Egyptian Demotic. The alphabet in the Polish language contains 32 letters.

The largest segmental script is probably an abugida, Devanagari. When written in Devanagari, Vedic Sanskrit has an alphabet of 53 letters, including the visarga mark for final aspiration and special letters for kš and jñ, though one of the letters is theoretical and not actually used. The Hindi alphabet must represent both Sanskrit and modern vocabulary, and so has been expanded to 58 with the khutma letters (letters with a dot added) to represent sounds from Persian and English.

The largest known abjad is Sindhi, with 51 letters. The largest alphabets in the narrow sense include Kabardian and Abkhaz (for Cyrillic), with 58 and 56 letters, respectively, and Slovak (for the Latin script), with 46. However, these scripts either count di- and tri-graphs as separate letters, as Spanish did with ch and ll until recently, or uses diacritics like Slovak č. The largest true alphabet where each letter is graphically independent is probably Georgian, with 41 letters.

Syllabaries typically contain 50 to 400 glyphs, and the glyphs of logographic systems typically number from the many hundreds into the thousands. Thus a simple count of the number of distinct symbols is an important clue to the nature of an unknown script.

Alphabetical order[edit]

Main article: Alphabetical order

Alphabets often come to be associated with a standard ordering of their letters, which can then be used for purposes of collation – namely for the listing of words and other items in what is called alphabetical order.

The basic ordering of the Latin alphabet (ABCDEFGHIJKLMNOPQRSTUVWXYZ), which is derived from the Northwest Semitic "Abgad" order,[15] is well established, although languages using this alphabet have different conventions for their treatment of modified letters (such as the French é, à, and ô) and of certain combinations of letters (multigraphs). In French, these are not considered to be additional letters for the purposes of collation. However, in Icelandic, the accented letters such as á, í, and ö are considered to be distinct letters of the alphabet. In Spanish, ñ is considered a separate letter, but accented vowels such as á and é are not. The ll and ch were also considered single letters, but in 1994 the Real Academia Española changed collating order so that ll is between lk and lm in the dictionary and ch is between cg and ci, and in 2010 the tenth congress of the Association of Spanish Language Academies changed it so they were no longer letters at all[16][17]

In German, words starting with sch- (constituting the German phoneme /ʃ/) would be intercalated between words with initial sca- and sci- (all incidentally loanwords) instead of this graphic cluster appearing after the letter s, as though it were a single letter—a lexicographical policy which would be de rigueur in a dictionary of Albanian, i.e. dh-, ë-, gj-, ll-, rr-, th-, xh- and zh- (all representing phonemes and considered separate single letters) would follow the letters d, e, g, l, n, r, t, x and z respectively. Nor is, in a dictionary of English, the lexical section with initial th- reserved a place after the letter t, but is inserted between te- and ti-. German words with umlaut would further be alphabetized as if there were no umlaut at all—contrary to Turkish which allegedly adopted the German graphemes ö and ü, and where a word like tüfek, would come after tuz, in the dictionary. An exception is the German phonebook where umlauts are sorted like ä = ae since names as Jäger appear also with the spelling Jaeger, and there's no telling them apart in the spoken language.

The Danish and Norwegian alphabets end with æ—ø—å, whereas the Icelandic, Swedish, Finnish and Estonian ones conventionally put å—ä—ö at the end.

It is unknown whether the earliest alphabets had a defined sequence. Some alphabets today, such as the Hanuno'o script, are learned one letter at a time, in no particular order, and are not used for collation where a definite order is required. However, a dozen Ugaritic tablets from the fourteenth century BC preserve the alphabet in two sequences. One, the ABCDE order later used in Phoenician, has continued with minor changes in Hebrew, Greek, Armenian, Gothic, Cyrillic, and Latin; the other, HMĦLQ, was used in southern Arabia and is preserved today in Ethiopic.[18] Both orders have therefore been stable for at least 3000 years.

The historical order was abandoned in Runic and Arabic, although Arabic retains the traditional abjadi order for numbering.

The Brahmic family of alphabets used in India use a unique order based on phonology: The letters are arranged according to how and where they are produced in the mouth. This organization is used in Southeast Asia, Tibet, Korean hangul, and even Japanese kana, which is not an alphabet.

Names of letters[edit]

The Phoenician letter names, in which each letter was associated with a word that begins with that sound, continue to be used to varying degrees in Samaritan, Aramaic, Syriac, Hebrew, Greek and Arabic. The names were abandoned in Latin, which instead referred to the letters by adding a vowel (usually e) before or after the consonant (the exception is zeta, which was retained from Greek). In Cyrillic originally the letters were given names based on Slavic words; this was later abandoned as well in favor of a system similar to that used in Latin.

Orthography and pronunciation[edit]

Main article: Phonemic orthography

When an alphabet is adopted or developed for use in representing a given language, an orthography generally comes into being, providing rules for the spelling of words in that language. In accordance with the principle on which alphabets are based, these rules will generally map letters of the alphabet to the phonemes (significant sounds) of the spoken language. In a perfectly phonemic orthography there would be a consistent one-to-one correspondence between the letters and the phonemes, so that a writer could predict the spelling of a word given its pronunciation, and a speaker could predict the pronunciation of a word given its spelling. However this ideal is not normally achieved in practice; some languages (such as Spanish and Finnish) come close to it, while others (such as English) deviate from it to a much larger degree.

The pronunciation of a language often evolves independently of its writing system, and writing systems have been borrowed for languages they were not designed for, so the degree to which letters of an alphabet correspond to phonemes of a language varies greatly from one language to another and even within a single language.

Languages may fail to achieve a one-to-one correspondence between letters and sounds in any of several ways:
A language may represent a given phoneme with a combination of letters rather than just a single letter. Two-letter combinations are called digraphs and three-letter groups are called trigraphs. German uses the tesseragraphs (four letters) "tsch" for the phoneme [tʃ] and "dsch" for [dʒ], although the latter is rare. Kabardian also uses a tesseragraph for one of its phonemes, namely "кхъу". Two letters representing one sound is widely used in Hungarian as well (where, for instance, cs stands for [č], sz for [s], zs for [ž], dzs for [ǰ], etc.).
A language may represent the same phoneme with two different letters or combinations of letters. An example is modern Greek which may write the phoneme [i] in six different ways: ⟨ι⟩, ⟨η⟩, ⟨υ⟩, ⟨ει⟩, ⟨οι⟩, and ⟨υι⟩ (although the last is rare).
A language may spell some words with unpronounced letters that exist for historical or other reasons. For example, the spelling of the Thai word for "beer" [เบียร์] retains a letter for the final consonant "r" present in the English word it was borrowed from, but silences it.
Pronunciation of individual words may change according to the presence of surrounding words in a sentence (sandhi).
Different dialects of a language may use different phonemes for the same word.
A language may use different sets of symbols or different rules for distinct sets of vocabulary items, such as the Japanese hiragana and katakana syllabaries, or the various rules in English for spelling words from Latin and Greek, or the original Germanic vocabulary.

National languages generally elect to address the problem of dialects by simply associating the alphabet with the national standard. However, with an international language with wide variations in its dialects, such as English, it would be impossible to represent the language in all its variations with a single phonetic alphabet.

Some national languages like Finnish, Turkish, Serbo-Croatian (Serbian, Croatian and Bosnian) and Bulgarian have a very regular spelling system with a nearly one-to-one correspondence between letters and phonemes. Strictly speaking, these national languages lack a word corresponding to the verb "to spell" (meaning to split a word into its letters), the closest match being a verb meaning to split a word into its syllables. Similarly, the Italian verb corresponding to 'spell (out)', compitare, is unknown to many Italians because the act of spelling itself is rarely needed: Italian spelling is highly phonemic. In standard Spanish, it is possible to tell the pronunciation of a word from its spelling, but not vice versa; this is because certain phonemes can be represented in more than one way, but a given letter is consistently pronounced. French, with its silent letters and its heavy use of nasal vowels and elision, may seem to lack much correspondence between spelling and pronunciation, but its rules on pronunciation, though complex, are actually consistent and predictable with a fair degree of accuracy.

At the other extreme are languages such as English, where the spelling of many words simply has to be memorized as they do not correspond to sounds in a consistent way. For English, this is partly because the Great Vowel Shift occurred after the orthography was established, and because English has acquired a large number of loanwords at different times, retaining their original spelling at varying levels. Even English has general, albeit complex, rules that predict pronunciation from spelling, and these rules are successful most of the time; rules to predict spelling from the pronunciation have a higher failure rate.

Sometimes, countries have the written language undergo a spelling reform to realign the writing with the contemporary spoken language. These can range from simple spelling changes and word forms to switching the entire writing system itself, as when Turkey switched from the Arabic alphabet to a Turkish alphabet of Latin origin.

The sounds of speech of all languages of the world can be written by a rather-small universal phonetic-alphabet. A standard for this is the International Phonetic Alphabet.

See also[edit]

A Is For Aardvark
Abecedarium
Acrophony
Akshara
Alphabet Effect
Alphabet song
Alphabetical order
Alphabetize
Butterfly Alphabet
Character encoding
Constructed script
Cyrillic
English alphabet
Hangul
ICAO spelling alphabet
Lipogram
List of alphabets
Pangram
Thai script
Transliteration
Unicode

References[edit]

1.^ Coulmas, Florian (1996). The Blackwell Encyclopedia of Writing Systems. Oxford: Blackwell Publishing. ISBN 0-631-21481-X.
2.^ Millard 1986, p. 396
3.^ Haarmann 2004, p. 96
4.^ Encyclopædia Britannica Online – Merriam-Webster's Online Dictionary
5.^ "The Development of the Western Alphabet". h2g2. BBC. 2004-04-08. Retrieved 2008-08-04.
6.^ Daniels and Bright (1996), pp. 74–75
7.^ J. C. Darnell, F. W. Dobbs-Allsopp, Marilyn J. Lundberg, P. Kyle McCarter, and Bruce Zuckermanet, “Two early alphabetic inscriptions from the Wadi el-Hol: new evidence for the origin of the alphabet from the western desert of Egypt.” The Annual of the American Schools of Oriental Research, 59 (2005).
8.^ a b Coulmas (1989), p. 140–141.
9.^ Ugaritic Writing online
10.^ a b c Daniels and Bright (1996), pp 92-96
11.^ "Coulmas"(1989),p.142
12.^ "Coulmas" (1989) p.147.
13.^ "上親制諺文二十八字…是謂訓民正音(His majesty created 28 characters himself... It is Hunminjeongeum (original name for Hangul))", 《세종실록 (The Annals of the Choson Dynasty : Sejong)》 25년 12월.
14.^ For critics of the abjad-abugida-alphabet distinction, see Reinhard G. Lehmann: "27-30-22-26. How Many Letters Needs an Alphabet? The Case of Semitic", in: The idea of writing: Writing across borders / edited by Alex de Voogt and Joachim Friedrich Quack, Leiden: Brill 2012, p. 11-52, esp p. 22-27
15.^ Reinhard G. Lehmann: "27-30-22-26. How Many Letters Needs an Alphabet? The Case of Semitic", in: The idea of writing: Writing across borders / edited by Alex de Voogt and Joachim Friedrich Quack, Leiden: Brill 2012, p. 11-52
16.^ Real Academia Española. "Spanish Pronto!: Spanish Alphabet." Spanish Pronto! 22 April 2007. January 2009 Spanish Pronto: Spanish < > English Medical Translators.
17.^ "La “i griega” se llamará “ye”". Cuba Debate. 2010-11-05. Retrieved 12 December 2010. Cubadebate.cu
18.^ Millard, A.R. "The Infancy of the Alphabet", World Archaeology 17, No. 3, Early Writing Systems (February 1986): 390–398. page 395.

Bibliography[edit]
Coulmas, Florian (1989). The Writing Systems of the World. Blackwell Publishers Ltd. ISBN 0-631-18028-1.
Daniels, Peter T.; Bright, William (1996). The World's Writing Systems. Oxford University Press. ISBN 0-19-507993-0. Overview of modern and some ancient writing systems.
Driver, G. R. (1976). Semitic Writing (Schweich Lectures on Biblical Archaeology S.) 3Rev Ed. Oxford University Press. ISBN 0-19-725917-0.
Haarmann, Harald (2004). Geschichte der Schrift (2nd ed.). München: C. H. Beck. ISBN 3-406-47998-7
Hoffman, Joel M. (2004). In the Beginning: A Short History of the Hebrew Language. NYU Press. ISBN 0-8147-3654-8. Chapter 3 traces and summarizes the invention of alphabetic writing.
Logan, Robert K. (2004). The Alphabet Effect: A Media Ecology Understanding of the Making of Western Civilization. Hampton Press. ISBN 1-57273-523-6.
McLuhan, Marshall; Logan, Robert K. (1977). Alphabet, Mother of Invention. Etcetera. Vol. 34, pp. 373–383
Millard, A. R. (1986). "The Infancy of the Alphabet". World Archaeology 17 (3): 390–398. doi:10.1080/00438243.1986.9979978
Ouaknin, Marc-Alain; Bacon, Josephine (1999). Mysteries of the Alphabet: The Origins of Writing. Abbeville Press. ISBN 0-7892-0521-1.
Powell, Barry (1991). Homer and the Origin of the Greek Alphabet. Cambridge University Press. ISBN 0-521-58907-X.
Powell, Barry B. 2009. Writing: Theory and History of the Technology of Civilization, Oxford: Blackwell. ISBN 978-1-4051-6256-2
Sacks, David (2004). Letter Perfect: The Marvelous History of Our Alphabet from A to Z (PDF). Broadway Books. ISBN 0-7679-1173-3.
Saggs, H. W. F. (1991). Civilization Before Greece and Rome. Yale University Press. ISBN 0-300-05031-3. Chapter 4 traces the invention of writing

External links[edit]

Look up alphabet in Wiktionary, the free dictionary.
The Origins of abc
"Language, Writing and Alphabet: An Interview with Christophe Rico", Damqātum 3 (2007)
Alphabetic Writing Systems
Michael Everson's Alphabets of Europe
Evolution of alphabets, animation by Prof. Robert Fradkin at the University of Maryland
How the Alphabet Was Born from Hieroglyphs—Biblical Archaeology Review

 

 

English alphabet - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/English_alphabet‎

The modern English alphabet is a Latin alphabet consisting of 26 letters – the same letters that are found in the ISO basic Latin alphabet: ...

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

English alphabet

From Wikipedia, the free encyclopedia

Jump to: navigation, search

"The Alphabet" redirects here. For the short film by David Lynch, see The Alphabet (film).

The modern English alphabet is a Latin alphabet consisting of 26 letters – the same letters that are found in the ISO basic Latin alphabet:

Majuscule forms (also called uppercase or capital letters)
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Minuscule forms (also called lowercase or small letters)
a b c d e f g h i j k l m n o p q r s t u v w x y z

The exact shape of printed letters varies depending on the typeface. The shape of handwritten letters can differ significantly from the standard printed form (and between individuals), especially when written in cursive style. See the individual letter articles for information about letter shapes and origins (follow the links on any of the uppercase letters above).

Written English uses a number of digraphs, such as ch, sh, th, wh, qu, etc., but they are not considered separate letters of the alphabet. Some traditions also use two ligatures, æ and œ,[1] or consider the ampersand (&) part of the alphabet.

English alphabet

Contents
[hide] 1 History 1.1 Old English
1.2 Modern English

2 Diacritics
3 Ampersand
4 Apostrophe
5 Letter names 5.1 Etymology

6 Phonology
7 Letter frequencies
8 See also
9 Footnotes

History[edit]

See also: History of the Latin alphabet and English orthography

Old English[edit]

Main article: Old English Latin alphabet

The English language was first written in the Anglo-Saxon futhorc runic alphabet, in use from the 5th century. This alphabet was brought to what is now England, along with the proto-form of the language itself, by Anglo-Saxon settlers. Very few examples of this form of written Old English have survived, these being mostly short inscriptions or fragments.

The Latin script, introduced by Christian missionaries, began to replace the Anglo-Saxon futhorc from about the 7th century, although the two continued in parallel for some time. Futhorc influenced the emerging English alphabet by providing it with the letters thorn (Þ þ) and wynn (Ƿ ƿ). The letter eth (Ð ð) was later devised as a modification of dee (D d), and finally yogh (Ȝ ȝ) was created by Norman scribes from the insular g in Old English and Irish, and used alongside their Carolingian g.

The a-e ligature ash (Æ æ) was adopted as a letter its own right, named after a futhorc rune æsc. In very early Old English the o-e ligature ethel (Œ œ) also appeared as a distinct letter, likewise named after a rune, œðel. Additionally, the v-v or u-u ligature double-u (W w) was in use.

In the year 1011, a writer named Byrhtferð ordered the Old English alphabet for numerological purposes.[2] He listed the 24 letters of the Latin alphabet (including ampersand) first, then 5 additional English letters, starting with the Tironian note ond (⁊) an insular symbol for and:
A B C D E F G H I K L M N O P Q R S T V X Y Z & ⁊ Ƿ Þ Ð Æ
Modern English[edit]

In the orthography of Modern English, thorn (þ), eth (ð), wynn (ƿ), yogh (ȝ), ash (æ), and ethel (œ) are obsolete. Latin borrowings reintroduced homographs of ash and ethel into Middle English and Early Modern English, though they are not considered to be the same letters[citation needed] but rather ligatures, and in any case are somewhat old-fashioned. Thorn and eth were both replaced by th,[citation needed] though thorn continued in existence for some time, its lowercase form gradually becoming graphically indistinguishable from the minuscule y in most handwriting. Y for th can still be seen in pseudo-archaisms such as "Ye Olde Booke Shoppe". The letters þ and ð are still used in present-day Icelandic and Faroese. Wynn disappeared from English around the fourteenth century when it was supplanted by uu, which ultimately developed into the modern w. Yogh disappeared around the fifteenth century and was typically replaced by gh.

The letters u and j, as distinct from v and i, were introduced in the 16th century, and w assumed the status of an independent letter, so that the English alphabet is now considered to consist of the following 26 letters:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
The variant lowercase form long s (ſ) lasted into early modern English, and was used in non-final position up to the early 19th century.

The ligatures æ and œ are still used in formal writing for certain words of Greek or Latin origin, such as encyclopædia and cœlom. Lack of awareness and technological limitations (such as their absence from the standard qwerty keyboard) have made it common to see these rendered as "ae" and "oe", respectively, in modern, non-academic usage. These ligatures are not used in American English, where a lone e has mostly supplanted both (for example, encyclopedia for encyclopædia, and fetus for fœtus).

Diacritics[edit]

Main article: English terms with diacritical marks

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Diacritic marks mainly appear in loanwords such as naïve and façade. As such words become naturalised In English, there is a tendency to drop the diacritics, as has happened with old borrowings such as hôtel, from French. Informal English writing tends to omit diacritics because of their absence from the computer keyboard, while professional copywriters and typesetters tend to include them. Words that are still perceived as foreign tend to retain them; for example, the only spelling of soupçon found in English dictionaries (the OED and others) uses the diacritic. Diacritics are also more likely to be retained where there would otherwise be confusion with another word (for example, résumé rather than resume), and, rarely, even added (as in maté, from Spanish yerba mate, but following the pattern of café, from French).

Occasionally, especially in older writing, diacritics are used to indicate the syllables of a word: cursed (verb) is pronounced with one syllable, while cursèd (adjective) is pronounced with two. È is used widely in poetry, e.g. in Shakespeare's sonnets. Similarly, while in chicken coop the letters -oo- represent a single vowel sound (a digraph), in zoölogist and coöperation, they represent two. An acute, grave or diaeresis may also be placed over an 'e' at the end of a word to indicate that it is not silent, as in saké. However, in practice these devices are often not used even where they would serve to alleviate some degree of confusion.

Ampersand[edit]

The & has sometimes appeared at the end of the English alphabet, as in Byrhtferð's list of letters in 1011.[2] Historically, the figure is a ligature for the letters Et. In English it is used to represent the word and and occasionally the Latin word et, as in the abbreviation &c (et cetera).

Apostrophe[edit]

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The apostrophe, while not considered part of the English alphabet, is used to abbreviate English words. A few pairs of words, such as its (belonging to it) and it's (it is or it has), were (plural of was) and we're (we are), and shed (to get rid of) and she'd (she would or she had) are distinguished in writing only by the presence or absence of an apostrophe. The apostrophe also distinguishes the possessive endings -'s and -s' from the common plural ending -s, a practice introduced in the 18th century; before, all three endings were written -s, which could lead to confusion (as in, the Apostles words).

Letter names[edit]

The names of the letters are rarely spelled out, except when used in derivations or compound words (for example tee-shirt, deejay, emcee, okay, aitchless, wye-level, etc.), derived forms (for example exed out, effing, to eff and blind, etc.), and in the names of objects named after letters (for example em (space) in printing and wye (junction) in railroading). The forms listed below are from the Oxford English Dictionary. Vowels stand for themselves, and consonants usually have the form consonant + ee or e + consonant (e.g. bee and ef). The exceptions are the letters aitch, jay, kay, cue, ar, ess (but es- in compounds ), wye, and zed. Plurals of consonants end in -s (bees, efs, ems) or, in the cases of aitch, ess, and ex, in -es (aitches, esses, exes). Plurals of vowels end in -es (aes, ees, ies, oes, ues); these are rare. Of course, all letters may stand for themselves, generally in capitalized form (okay or OK, emcee or MC), and plurals may be based on these (aes or A's, cees or C's, etc.)

Letter

Letter name

Pronunciation

A a /eɪ/[3]
B bee /biː/
C cee /siː/
D dee /diː/
E e /iː/
F ef (eff as a verb) /ɛf/
G gee /dʒiː/
H aitch /eɪtʃ/
haitch[4] /heɪtʃ/
I i /aɪ/
J jay /dʒeɪ/
jy[5] /dʒaɪ/
K kay /keɪ/
L el or ell /ɛl/
M em /ɛm/
N en /ɛn/
O o /oʊ/
P pee /piː/
Q cue /kjuː/
R ar /ɑr/[6]
S ess (es-)[7] /ɛs/
T tee /tiː/
U u /juː/
V vee /viː/
W double-u /ˈdʌbəl.juː/[8]
X ex /ɛks/
Y wy or wye /waɪ/
Z zed[9] /zɛd/
zee[10] /ziː/
izzard[11] /ˈɪzərd/

Some groups of letters, such as pee and bee, or em and en, are easily confused in speech, especially when heard over the telephone or a radio communications link. Spelling alphabets such as the ICAO spelling alphabet, used by aircraft pilots, police and others, are designed to eliminate this potential confusion by giving each letter a name that sounds quite different from any other.

Etymology[edit]

The names of the letters are for the most part direct descendents, via French, of the Latin (and Etruscan) names. (See Latin alphabet: Origins.)

Letter

Latin

Old French

Middle English

Modern English

A á /aː/ /aː/ /aː/ /eɪ/
B bé /beː/ /beː/ /beː/ /biː/
C cé /keː/ /tʃeː/ → /tseː/ → /seː/ /seː/ /siː/
D dé /deː/ /deː/ /deː/ /diː/
E é /eː/ /eː/ /eː/ /iː/
F ef /ɛf/ /ɛf/ /ɛf/ /ɛf/
G gé /ɡeː/ /dʒeː/ /dʒeː/ /dʒiː/
H há /haː/ → /aha/ → /akːa/ /aːtʃ/ /aːtʃ/ /eɪtʃ/
I í /iː/ /iː/ /iː/ /aɪ/
J – – – /dʒeɪ/
K ká /kaː/ /kaː/ /kaː/ /keɪ/
L el /ɛl/ /ɛl/ /ɛl/ /ɛl/
M em /ɛm/ /ɛm/ /ɛm/ /ɛm/
N en /ɛn/ /ɛn/ /ɛn/ /ɛn/
O ó /oː/ /oː/ /oː/ /oʊ/
P pé /peː/ /peː/ /peː/ /piː/
Q qú /kuː/ /kyː/ /kiw/ /kjuː/
R er /ɛr/ /ɛr/ / ɛr/ → /ar/ /ɑr/
S es /ɛs/ /ɛs/ /ɛs/ /ɛs/
T té /teː/ /teː/ /teː/ /tiː/
U ú /uː/ /yː/ /iw/ /juː/
V – – – /viː/
W – – – /ˈdʌbəl.juː/
X ex /ɛks, iks/ /iks/ /ɛks/ /ɛks/
Y hý /hyː, iː/
í graeca /ˈɡraɪka/ ui, gui ?
i grec /iː ɡrɛːk/ /wiː/ ? /waɪ/
Z zéta /zeːta/ zed /zɛːd/
et zed /et zeːd/ → /e zed/ /zɛd/
/ɛˈzɛd/ /zɛd, ziː/
/ˈɪzəd/

The regular phonological developments (in rough chronological order) are:
palatalization before front vowels of Latin /k/ successively to /tʃ/, /ts/, and finally to Middle French /s/. Affects C.
palatalization before front vowels of Latin /ɡ/ to Proto-Romance and Middle French /dʒ/. Affects G.
fronting of Latin /uː/ to Middle French /yː/, becoming Middle English /iw/ and then Modern English /juː/. Affects Q, U.
the inconsistent lowering of Middle English /ɛr/ to /ar/. Affects R.
the Great Vowel Shift, shifting all Middle English long vowels. Affects A, B, C, D, E, G, H, I, K, O, P, T, and presumably Y.

The novel forms are aitch, a regular development of Medieval Latin acca; jay, a new letter presumably vocalized like neighboring kay to avoid confusion with established gee (the other name, jy, was taken from French); vee, a new letter named by analogy with the majority; double-u, a new letter, self-explanatory (the name of Latin V was ū); wye, of obscure origin but with an antecedent in Old French wi; zee, an American leveling of zed by analogy with the majority; and izzard, from the Romance phrase i zed or i zeto "and Z" said when reciting the alphabet.

Phonology[edit]

Main article: English phonology

The letters A, E, I, O, and U are considered vowel letters, since (except when silent) they represent vowels; the remaining letters are considered consonant letters, since when not silent they generally represent consonants. However, Y commonly represents vowels as well as a consonant (e.g., "myth"), as very rarely does W (e.g., "cwm"). Conversely, U sometimes represents a consonant (e.g., "quiz").

Letter frequencies[edit]

Main article: Letter frequency

The letter most frequently used in English is E. The least frequently used letter is Z.

The list below shows the frequency of letter use in English.[12]

Letter

Frequency

A 8.17%
B 1.49%
C 2.78%
D 4.25%
E 12.70%
F 2.23%
G 2.02%
H 6.09%
I 6.97%
J 0.15%
K 0.77%
L 4.03%
M 2.41%
N 6.75%
O 7.51%
P 1.93%
Q 0.10%
R 5.99%
S 6.33%
T 9.06%
U 2.76%
V 0.98%
W 2.36%
X 0.15%
Y 1.97%
Z 0.07%

See also[edit]
English orthography
English spelling reform
American manual alphabet
Two-handed manual alphabets
English braille
American braille
New York Point

Footnotes[edit]

1.^ See also the section on Ligatures
2.^ a b Michael Everson, Evertype, Baldur Sigurðsson, Íslensk Málstöð, On the Status of the Latin Letter Þorn and of its Sorting Order
3.^ Sometimes /æ/ in Hiberno-English
4.^ sometimes in Australian and Irish English, and usually in Indian English (although often considered incorrect)
5.^ in Scottish English
6.^ /ɔr/ (/ɔər/?) in Hiberno-English[citation needed]
7.^ in compounds such as es-hook
8.^ Especially in American English, the /l/ is not often pronounced in informal speech. (Merriam Webster's Collegiate Dictionary, 10th ed). Common colloquial pronunciations are /ˈdʌbəjuː/, /ˈdʌbəjə/, and /ˈdʌbjə/, as in the nickname "Dubya", especially in terms like www.
9.^ in British and Commonwealth English
10.^ in American English
11.^ in Scottish English
12.^ Beker, Henry; Piper, Fred (1982). Cipher Systems: The Protection of Communications. Wiley-Interscience. p. 397. Table also available from Lewand, Robert (2000). Cryptological Mathematics. The Mathematical Association of America. p. 36. ISBN 978-0883857199. and [1]


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THE USBORNE BOOK OF

FACTS AND LISTS

Lynn Bressler (no date)

Page 82

10 most spoken languages
Chinese 700,000,000 English 400,000,000 Russian 265,000,000 Spanish 240,000,000 Hindustani 230,000,000 Arabic 146,000,000 Portuguese 145,000,000 Bengali 144,000,000 German 119,000,000 Japanese 116,000,000

The first alphabet
The Phoenicians, who once lived where Syria, Jordan and Lebanon are today, had an alphabet of 29 letters as early as 1,700 BC. It was adopted by the Greeks and the Romans. Through the Romans, who went on to conquer most of Europe, it became the alphabet of Western countries.

Sounds strange
One tribe of Mexican Indians hold entire conversations just by whistling. The different pitches provide meaning.

The Rosetta Stone
 The Rosetta Stone was found by Napoleon in the sands of Egypt. It dates to about 196 BC.
On it is an inscription in hieroglyphics and a translation in Greek. , Because scholars knew ancient Greek, they could work out what the Egyptian hieroglyphics meant. From this they learned the language of the ancient Egyptians.

Did You KnowMany Chinese cannot understand each other. They have different ways of speaking (called dialects) in different
parts of the country. But today in schools allover China, the children are being taught one dialect (Mandarin), so that one day all Chinese will understand each other.

Translating computers
Computers can be used to help people of different nationalities, who do not know each others' language, talk to each other. By giving a computer a message in one language it will translate it into another specified language.

Worldwide language
English is spoken either as a first or second language in at least 45 countries. This is more than any other language. It is the language of international business and scientific conferences and is used by airtraffic controllers worldwide. In all, about one third of the world speaks it.

Page 83

Earliest writing Chinese writing has been found on pottery, and even on a tortoise shell, going back 6,000 years. Pictures made the basis for their writing, each picture showing an object or idea. Probably the earliest form of writing came from the Middle East, where Iraq and Iran are now. This region was then ruled by the Sumerians.

The most words

English has more words in it than any other language. There are about1 million in all, a third of which are technical terms. Most
people only use about 1 per cent of the words available, that is, about 10,000. William Shakespeare is reputed to have made most use of the English vocabulary.

A scientific word describing a process in the human cell is 207,000 letters long. This makes this single word equal in length to a short novel or about 80 typed sheets of A4 paper.

Many tongues
A Frenchman, named Georges Henri Schmidt, is fluent (meaning he reads and writes well) in 31 different languages.

International language
Esperanto was invented in the 1880s by a Pole, Dr Zamenhof. It was hoped that it would become the international language of Europe. It took words from many European countries and has a very easy grammar that can be learned in an hour or two.
The same language

The languages of India and Europe may originally come from just one source. Many words in different languages sound similar. For example, the word for King in Latin is Rex, in Indian, Raj, in Italian Re, in French Roi and in Spanish Rey. The original language has been named Indo-European. Basque, spoken in the French and Spanish Pyrenees, is an exception. It seems to have a different source which is still unknown.

Number of alphabets
There are 65 alphabets in use in the world today. Here are some of them: Roman
ABCDEFGHUKLMNOPQRS Greek  Russian (Cyrillic) Hebrew  Chinese (examples omitted)

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

LANGUAGE LAND ENGAGE LAND LANGUAGE

LETTERS AND NUMBERS AND LETTERS

 

 

THE

MAGIKALALPHABET

ISISIS

THE

ENGLISH ALPHABET

OF

CAPITAL LETTERS

TRANSPOSED INTO ROOT NUMBER

 

 

THE BULL OF MINOS

Leonard Cottrell 1953

Chapter VII

Page 90

THE QUEST CONTINUES

"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,

WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . . 

ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,

KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS

SUN 9 9 SUN

EARTH 7 7 EARTH

MOON 3 3 MOON

JUPITER 99 99 JUPITER

 

 

OM 6+4 = 10 1 + 0 = 1 = 10 = 6 + 4 = OM

 

 

I

ME

LIVING

MAGNETISM

POSITIVE + NEGATIVE

ISISIS MAAT IS IS MAAT ISISIS

I AM THAT EYE THAT EYE THAT AM I

I AM DROWNING ALWAYS DROWNING AM I

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181

ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE

X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X

ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA

ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS

 

 

THE TIME IS COMING AND NOW IS

 

 

2
TO
35
8
8
5
BEGIN
37
28
1
2
AT
21
12
3
3
THE
33
15
6
9
BEGINNING
81
54
9
21
Add to Reduce
207
117
27
2+1
Reduce to Deduce
2+0+7
1+1+7
2+7
3
Essence of Number
9
9
9

 

 

I

SAY

HAVE

I

MENTIONED DIVINE THOUGHT DIVINE CONSCIENCE

I

SAY

HAVE

I

MENTIONED

GODS

DIVINE LOVE DIVINE

HAVE

I

MENTIONED

THAT

?

I

HAVE

O

GOOD

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

THOSE PATENT PATIENT PATTERN MAKERS

 

 

Nature's Numbers
Ian Stewart 1995

Numerology is the easiest-and consequently the most dangerous-method for finding patterns. It is easy because anybody can do it and dangerous for the same reason. The difficulty lies in distinguishing significant numerical patterns from accidental ones. Here's a case in point. Kepler was fascinated with patterns in nature, and he devoted much of his life to looking for them in the behaviour of the planets. He devised a simple and tidy theory for the existence of precisely six planets (in his time only Mercury, Venus, Earth, Mars, Jupiter, and Saturn were known). He also discovered a very strange pattern relating the orbital period of a / planet- the time it takes to go once around the Sun-to its distance from the Sun. Recall that the square of a number is what you get when you multiply it by itself: for example, the square of 4 is 4 x 4 = 16. Similarly, the cube is what you get when you multiply it by itself twice: for example, the cube of 4 is 4 x 4 x 4 = 64. Kepler found that if you take the cube of the distance of any planet from the Sun and divide it by the square of its orbital period, you always get the same number. It was not an especially elegant number, but it was the same for all six planets.

Which of these numerological observations is the more significant? The verdict of posterity is that it is the second one, the complicated and rather arbitrary calculation with squares and cubes. This numerical pattern was one of the key steps towards Isaac Newton's theory of gravity, which has explained all sorts of puzzles about the motion of stars and planets. In contrast, Kepler's neat, tidy theory for the number of planets has been buried without trace. For a start it must have been wrong, because we now know of nine planets, not six. There could be even more, farther out from the Sun, and small enough to be undetectable But more important, we no longer expect to find a neat, tidy theory for the number of planets. We think that the Solar System condensed from a cloud of gas surrounding the Sun, and the number of planets presumably depended on the amount of matter in the gas cloud, how it was distributed, and how fast and in what directions it was moving. An equally plausible gas cloud could have given us eight planets, or eleven; the number is accidental, depending on the initial conditions of the gas cloud, rather than universal, reflecting a general law of nature"

Page 6

" The big problem with numerological pattern-seeking is that it generates millions of accidentals for each universal. Nor is it always obvious which is which. For example, there are three stars, roughly equally spaced and in a straight line, in the belt of the constellation Orion. Is that a clue to a significant law of nature?
Here's a similar question. Io, Europa, and Ganymede are three of Jupiter's larger satellites. They orbit the planet in , respectively, 1.77, 3.55, and 7.16 days. Each of these numbers is almost exactly twice the previous one. Is that a significant pattern? Three stars in a row, in terms of orbital period. Which pattern if either, is an important clue..."
    "… In addition to numerical patterns there are geometric ones…"
    "… Until recently the main shapes that appealed to mathematicians were very simple ones: triangles, squares, pen / Page 7 /tagons, hexagons, circles, ellipses, spirals, cubes, spheres, cones, and so on. All of these shapes can be found in nature, although some are far more common, or more evident, than others. The rainbow, for example, is a collection of circles, one for each colour. We don't normally see the entire circle just an arc; but rainbows seen from the air can be complete circles. You also see circles in the ripples on a pond, in the human eye, and on butterflies wings.
         Talking of ripples, the flow of fluids provides an inexhaustible supply of nature's patterns. There are waves of many different kinds-surging toward a beach in parallel ranks, spreading in a V-shape behind a moving boat, radiating outward from an underwater earthquake…"
"…There are swirling spiral whirlpools and tiny vortices. And there is the apparently structureless, random frothing of turbulent flow, one of the great enigmas of mathematics and physics. There are similar patterns in the atmosphere, too, the most dramatic being the vast spiral of a hurricane…"
    "…There are also wave patterns on land. The most strikingly mathematical landscapes on Earth are to be found in the great ergs, or sand oceans, of the Arabian and Sahara deserts. Even when the wind blows steadily in a fixed direction, sand dunes form. The simplest pattern is that of transverse dunes, which-just like ocean waves-line up in parallel straight rows at right angles to the prevailing wind direction. Sometimes the rows themselves become wavy in which case they are called barchanoid ridges; sometimes they break up into / Page 8 / innumerable shield-shaped barchan dunes. If the sand is slightly moist, and there is a little vegetation to bind it together, then you may find parabolic dunes-shaped like a U, with the rounded end pointing in the direction of the wind. These sometimes occur in clusters, and they resemble the teeth of a rake. If the wind direction is variable, other forms become possible. For example, clusters of sand shaped dunes can form, each having several irregular arms radiating from a central peak. They arrange themselves in a random pattern of spots.

Chapter 6

Page 81

"Nature's symmetries can be found on every scale, from the structure of subatomic particles to that of the entire universe. Many chemical molecules are symmetric. The methane molecule is a tetrahedron - a triangular-sided pyramid - with one carbon atom at its center and four hydrogen atoms at its corners Benzene has the sixfold symmetry of a regular hexagon. The fashionable molecule buckminsterfullerene is a truncated icosahedral cage of sixty carbon atoms. (An icosahedron is a regular solid with twenty triangular faces;
"truncated" means that the corners are cut off.) Its symmetry lends it a remarkable stability, which has opened up new possibilities for organic chemistry.
    On a slightly larger scale than molecules, we find symmetries in cellular structure; at the heart of cellular replication lies a tiny piece of mechanical engineering. Deep within each / Page 82  / living cell, there is a rather shapeless structure known as the centrosome, which sprouts long thin microtubules, basic components of the cell's internal "skeleton", like a diminutive sea urchin. Centrsomes were first discovered in 1887 and play an important role in organizing cell division. How-ever in one respect the structure of the centresome is astonishingly symmetric. Inside it has two structures, known as centrioles, positioned at right angles to each other. Each centriole is cylindrical, made from twenty-seven microtubules fused together along their lengths in threes, and arranged with perfect ninefold symmetry. The microtubules themselves also have an astonishingley regular symmetric form. They are hollow tubes, made from a perfect regular checkerboard pattern of units that contain two distinct proteins, alpha- and betatubulin. One day, perhaps, we will understand why nature chose these symmetric forms. But it is amazing to see symmetric structures at the core of a living cell. "

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875 - 1955

Page 660

"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."

"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."

 

 

FINGERPRINTS OF THE GODS
 
G Hancock1995
 
Page 287
 
 "What one would look for, therefore, would be a universal language"
 
 
Page 287
 
 "WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
 
 
 
 
 
LIGHT AND LIFE
 
Lars Olof Bjorn
 
1976
 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).

IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.

 
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
 

1 000 000 000 'LETTERS'."

 

 

 AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA  AND DNA AND DNA AND DNA

 

 

3
THE
33
15
6
6
THEORY
91
37
1
2
OF
21
12
3
10
EVERYTHING
133
61
7
2
IS
28
10
1
4
GODS
45
18
9
27
Add to Reduce
351
153
27
2+7
Reduce to Deduce
3+5+1
1+5+3
2+7
9
Essence of Number
9
9
9

 

 

S
=
1
-
8
SPINNING
102
48
3
T
=
2
-
3
THE
33
15
6
T
=
2
Q
7
THREADS
75
30
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
G
=
7
Q
6
GOLDEN
57
30
3
W
=
5
-
3
WEB
30
12
3
-
-
25
Q
32
Add to Reduce
351
162
27
-
=
2+5
=
3+2
Reduce to Deduce
3+5+1
1+6+2
2+7
-
-
7
-
5
Essence of Number
9
9
9

 

 

A Tale of Two Cities (1859) is a novel by Charles Dickens, set in London and Paris before and during the French Revolution.

Book the First: Recalled to Life

As the title suggests, the first chapter immediately establishes the era in which the novel takes place: England and France in 1775.

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Book the Second: the Golden Thread

"The Golden Thread"

For the legal judgement, see Golden Thread (law).

 

 

H
=
8
-
2
HE
31
13
4
C
=
3
-
5
CARED
31
22
4
E
=
5
-
6
ENOUGH
70
34
7
T
=
2
-
2
TO
35
8
8
C
=
3
-
5
COUNT
73
19
1
M
=
4
-
2
MY
38
11
2
W
=
5
-
5
WORDS
79
25
7
-
-
30
-
27
First Total
339
132
33
-
-
3+0
-
2+7
Add to Reduce
3+3+9
1+3+2
3+3
-
-
3
-
9
Second Total
15
6
6
-
-
-
-
-
Reduce to Deduce
1+5
-
-
-
-
3
-
9
Essence of Number
6
6
6

 

 

Dylan Marlais Thomas (27 October 1914 – 9 November 1953)

In Country Sleep, and Other Poems
Quote byDylan Thomas:

“Do not go gentle into that good night.
Rage, rage against the dying of the light.”

 

 

D
=
4
-
2
DO
19
10
1
N
=
5
-
3
NOT
49
13
4
G
=
7
-
2
GO
22
13
4
G
=
7
-
6
GENTLE
63
27
9
I
=
9
-
4
INTO
58
22
4
T
=
2
-
4
THAT
49
13
4
G
=
7
-
4
GOOD
41
23
5
N
=
5
-
5
NIGHT
58
31
4
-
-
46
-
30
-
359
152
35
-
-
-
-
-
-
-
-
-
R
=
9
-
4
RAGE
31
22
4
R
=
9
-
4
RAGE
31
22
4
A
=
1
-
7
AGAINST
71
26
8
T
=
2
-
3
THE
33
15
6
D
=
4
-
5
DYING
59
32
5
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
L
=
3
-
5
LIGHT
56
29
2
-
-
36
-
33
-
335
173
38
-
-
-
-
-
-
-
-
-
-
-
82
-
63
First Total
694
325
73
-
-
8+2
-
6+3
Add to Reduce
6+9+4
3+2+5
7+3
-
-
10
-
9
Second Total
19
10
10
-
-
1+0
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
1
-
9
Third Total
1
1
1
-
-
-
-
-
Reduce to Adduce
1+0
-
-
-
-
1
-
9
Essence of Number
1
1
1

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy

1

999

Page 177

The gospels are actually anonymous works, in which everything, without exception, is written in capital letters, with no headings, chapter or verse divisions, and practically no punctuation or spaces between words.61 They were not even written in the Aramic of the Jews but in Greek.62

 

THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS,

IN WHICH EVERYTHING WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS,

WITH NO PUNCTUATION OR SPACES BETWEEN WORDS.

 

 

T
=
2
Q
7
THE
33
15
6
-
-
-
-
-
-
-
-
-
G
=
7
-
-
GOSPELS
-
-
-
-
-
-
-
1
G
7
7
7
-
-
-
-
2
O+S
34
16
7
-
-
-
-
1
P
16
7
7
-
-
-
-
3
E+L+S
36
18
9
G
=
7
-
7
GOSPELS
93
48
30
-
-
-
-
-
-
9+3
4+8
3+0
G
=
7
-
7
GOSPELS
12
12
3
-
-
-
-
-
-
1+2
1+2
-
G
=
7
-
7
GOSPELS
3
3
3

 

 

T
=
2
Q
3
THE
33
15
6
G
=
7
Q
7
GOSPELS
93
48
30
-
-
9
-
10
-
126
63
36
-
-
-
-
1+0
Q
1+2+6
6+3
3+6
-
-
9
Q
1
-
9
9
9

 

 

GODS PEOPLES GODS

GOD SPELLS GOSPELS SPELLS GOD

 

 

C
=
3
Q
6
CHRIST
77
32
5
C
=
3
Q
13
CONSCIOUSNESS
175
49
4
-
-
6
-
19
-
252
81
9
-
-
-
-
1+9
Q
2+5+2
8+1
-
-
-
6
Q
10
-
9
9
9
-
-
-
-
1+0
Q
-
-
-
-
-
6
Q
1
-
9
9
9

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy 2001

THE GNOSTIC HERITAGE

THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS

Page 74

When the Nag Hammadi library of Christian Gnostic texts were discovered in 1945, Jung's foundation bought one of the collections, now known as the Jung Codex. When translated, these works proved that many of his intuitions about Christian Gnosticism had been remarkably correct. towards the end of his life he appeared on a television chat show, in which he famously replied to the question of whether he believed in God with the perennial Gnostic assertion: 'I know that God exists. I don't need to believe, I know.'106

 

I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
T
=
2
-
4
THAT
49
13
4
G
=
7
-
3
GOD
26
17
8
E
=
5
-
6
EXISTS
96
24
6
-
-
25
-
18
Add to Reduce
243
81
36
-
-
2+5
-
1+8
Reduce to Deduce
2+4+3
8+1
3+6
-
-
7
-
9
Essence of Number
9
9
9

 

 

I
=
9
-
1
I
9
9
9
D
=
4
-
4
DON'T
53
17
8
N
=
5
-
4
NEED
28
19
9
T
=
2
-
2
TO
35
8
8
B
=
2
-
7
BELIEVE
60
33
6
I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
-
-
33
-
23
First Total
257
113
41
-
-
3+3
-
2+3
Add to Reduce
2+5+7
1+1+3
4+1
-
-
6
-
5
Second Total
14
5
5
-
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
4
-
5
Essence of Number
5
5
5

 

 

I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
T
=
2
-
4
THAT
49
13
4
G
=
7
-
3
GOD
26
17
8
E
=
5
-
6
EXISTS
96
24
6
-
-
25
-
18
-
243
81
36
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
D
=
4
-
4
DON'T
53
17
8
N
=
5
-
4
NEED
28
19
9
T
=
2
-
2
TO
35
8
8
B
=
2
-
7
BELIEVE
60
33
6
I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
-
-
33
-
23
-
257
113
41
-
-
-
-
-
-
-
-
-
-
-
58
-
41
First Total
500
194
77
-
-
5+8
-
4+1
Add to Reduce
5+0+0
1+9+4
7+7
-
-
13
-
5
Second Total
5
14
14
-
-
1+3
-
-
Reduce to Deduce
-
1+4
1+4
-
-
4
-
5
Essence of Number
5
5
5

 

 

-
18
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
5
6
-
-
-
8
-
-
-
-
6
-
-
-
6
9
1
-
1
+
=
51
5+1
=
6
=
6
=
6
-
-
9
-
-
14
15
-
-
-
8
-
-
-
-
15
-
-
-
24
9
19
-
19
+
=
132
1+3+2
=
6
=
6
=
6
-
18
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
5
-
2
-
1
2
-
7
-
4
-
5
-
-
-
2
-
+
=
30
3+0
=
3
=
3
=
3
-
-
-
-
11
-
-
23
-
20
-
1
20
-
7
-
4
-
5
-
-
-
20
-
+
=
111
1+1+1
=
3
=
3
=
3
-
18
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
-
-
-
-
-
-
-
-
-
-
9
-
11
14
15
23
-
20
8
1
20
-
7
15
4
-
5
24
9
19
20
19
+
=
243
2+4+3
=
9
=
9
=
9
-
-
9
-
2
5
6
5
-
2
8
1
2
-
7
6
4
-
5
6
9
1
2
1
+
=
45
4+5
=
9
=
9
=
9
-
18
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
2
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
4
=
8
=
8
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
5
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
3
18
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
42
-
-
18
-
81
-
54
-
1+8
9
-
-
-
-
-
-
-
-
-
-
-
-
-``
-
-
-
-
9
-
-
-
-
-
4+2
-
-
1+8
-
8+1
-
5+4
3
9
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
6
-
-
9
-
9
-
9
-
-
9
-
2
5
6
5
-
2
8
1
2
-
7
6
4
-
5
6
9
1
2
1
-
-
-
-
-
-
-
-
-
-
3
9
I
-
K
N
O
W
-
T
H
A
T
-
G
O
D
-
E
X
I
S
T
S
-
-
6
-
-
9
-
9
-
9

 

 

S
=
1
-
-
SALVATION
-
-
-
-
-
-
-
4
S+A+L+V
54
18
9
-
-
-
-
1
N
14
5
5
-
-
-
-
4
A+T+I+O
45
18
9
S
=
1
-
9
SALVATION
113
41
23
-
-
-
-
-
-
1+1+3
4+1
2+3
S
=
1
-
9
SALVATION-
5
5
5

 

 

S
=
1
-
-
SALVATION
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
A
1
1
1
-
-
-
-
1
L
12
3
3
-
-
-
-
1
V
22
4
4
-
-
-
-
1
A
1
1
1
-
-
-
-
1
T
20
2
2
-
-
-
-
1
I
9
9
9
-
-
-
-
1
O
15
6
6
-
-
-
-
1
N
14
5
5
S
=
1
-
9
SALVATION
113
41
23
-
-
-
-
-
-
1+1+3
4+1
2+3
S
=
1
-
9
SALVATION-
5
5
5

 

 

`9`-
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
9
6
5
+
=
21
2+1
=
3
-
3
-
-
19
-
-
-
-
-
9
15
14
+
=
57
5+7
=
12
1+2
3
-
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
-
-
1
3
4
1
2
-
-
-
+
=
11
1+1
=
2
-
2
-
-
-
1
12
22
1
20
-
-
-
+
=
56
5+6
=
11
1+1
2
-
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
-
19
1
12
22
1
20
9
15
14
+
=
113
1+1+3
=
5
-
5
-
-
1
1
3
4
1
2
9
6
5
+
=
32
3+2
=
5
-
5
-
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
-
1
1
-
-
1
-
-
-
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
-
-
-
-
5
=
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
=
-
9
occurs
x
1
=
9
15
9
S
A
L
V
A
T
I
O
N
-
-
30
-
-
9
-
32
1+5
-
-
-
-
-
-
-
9
-
-
-
-
3+0
-
-
-
-
3+2
6
9
S
A
L
V
A
T
I
O
N
-
-
3
-
-
9
-
5
-
-
1
1
3
4
1
2
9
6
5
-
-
-
-
-
-
-
-
6
9
S
A
L
V
A
T
I
O
N
-
-
3
-
-
9
-
5

 

 

9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
9
6
5
+
=
21
2+1
=
3
-
3
-
19
-
-
-
-
-
9
15
14
+
=
57
5+7
=
12
1+2
3
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
-
1
3
4
1
2
-
-
-
+
=
11
1+1
=
2
-
2
-
-
1
12
22
1
20
-
-
-
+
=
56
5+6
=
11
1+1
2
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
19
1
12
22
1
20
9
15
14
+
=
113
1+1+3
=
5
-
5
-
1
1
3
4
1
2
9
6
5
+
=
32
3+2
=
5
-
5
9
S
A
L
V
A
T
I
O
N
-
-
-
-
-
-
-
-
-
1
1
-
-
1
-
-
-
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
-
-
-
5
=
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
-
9
-
-
=
-
9
occurs
x
1
=
9
9
S
A
L
V
A
T
I
O
N
-
-
30
-
-
9
-
32
-
-
-
-
-
-
-
9
-
-
-
-
3+0
-
-
-
-
3+2
9
S
A
L
V
A
T
I
O
N
-
-
3
-
-
9
-
5
-
1
1
3
4
1
2
9
6
5
-
-
-
-
-
-
-
-
9
S
A
L
V
A
T
I
O
N
-
-
3
-
-
9
-
5

 

 

-
NOURISHED
-
-
-
1
N
14
5
5
2
OU
36
9
9
1
R
18
9
9
1
I
9
9
9
2
SH
27
9
9
2
ED
9
9
9
9
NOURISHED
113
59
59
1+0
-
1+1+3
5+9
5+9
9
NOURISHED
5
14
14
-
-
-
1+4
1+4
9
NOURISHED
5
5
5

 

 

-
MALNOURISHED
-
-
-
1
M
13
4
4
3
ALN
27
9
9
2
OU
36
9
9
1
R
18
9
9
1
I
9
9
9
2
SH
27
9
9
2
ED
9
9
9
12
MALNOURISHED
139
58
58
1+2
-
1+3+9
5+8
5+8
3
MALNOURISHED
13
13
13
-
-
1+3
1+3
1+3
3
MALNOURISHED
4
4
4

 

 

-
FLOURISHED
-
-
-
2
FL
18
9
9
2
OU
36
9
9
1
R
18
9
9
1
I
9
9
9
2
SH
27
9
9
2
ED
9
9
9
10
FLOURISHED
117
54
54
1+0
-
1+1+7
5+4
5+4
1
FLOURISHED
9
9
9

 

 

10
REDEMPTIVE
-
-
-
1
R
18
9
9
2
E+D
9
9
9
2
E+M
18
9
9
2
P+T
36
9
9
1
I
9
9
9
2
V+E
27
9
9
10
REDEMPTIVE
117
54
54
1+0
-
1+1+7
5+4
5+4
1
REDEMPTIVE
9
9
9

 

 

I
=
9
-
-
IMPARTIAL JUDGEMENT

-

-

-
-
-
-
-
1
I

9

9

9
-
-
-
-
3
M+P+A

30

12

3
-
-
-
-
1
R

18

9

9
-
-
-
-
1
T

20

2

2
-
-
-
-
1
I

9

9

9
-
-
-
-
2
A+L

13

4

4
-
-
-
-
4
J+U+D+G

42

15

6
-
-
-
-
2
E+M

18

9

9
-
-
-
-
3
E+N+T

39

12

3
I
=
9
-
18
IMPARTIAL JUDGEMENT

198

81

18
-
-
-
-
1+8
-
1+9+8
8+1
1+8
I
=
9
-
9
IMPARTIAL JUDGEMENT

18

9

9
-
-
-
-
-
-
1+8
-
-
I
=
9
-
9
IMPARTIAL JUDGEMENT

9

9

9

 

 

I
=
9
-
9
IMPARTIAL

99

45

9
J
=
1
-
9
JUDGEMENT

99

36

9
-
-
10
-
18
IMPARTIAL JUDGEMENT

198

81

18
-
-
1+0
-
1+8
-
1+9+8
8+1
1+8
-
-
1
-
9
IMPARTIAL JUDGEMENT

18

9

9
-
-
-
-
-
-
1+8
-
-
-
-
1
-
9
IMPARTIAL JUDGEMENT

9

9

9

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
N
O
T
A
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
A
-
-
-
-
-
-
-
-
L
-
-
-
-
-
-
-
-
L
-
-
-
-
-
-
-
-
Y
-
-
-
-

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

-
-
-
-
C
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
U
-
-
-
-
-
-
-
-
C
-
-
-
-
C
R
U
C
I
F
I
E
D
-
-
-
-
F
-
-
-
-
-
-
-
-
I
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
D
-
-
-
-

 

 

-
-
-
-
-
C
-
-
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
-
-
U
-
-
-
-
-
-
-
-
-
-
C
-
-
-
-
-
-
-
-
-
-
I
-
-
-
-
-
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
I
-
-
-
-
-
-
-
-
-
-
X
-
-
-
-
-
-
-
-
-
-
I
-
-
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
-
-
N
-
-
-
-
-

 

 

 

 

3
THE
33
15
6
4
TRUE
64
19
1
5
DEATH
38
20
2
2
ON
29
11
2
3
THE
33
15
6
5
CROSS
74
20
2
24
First Total
271
100
19
2+4
Add to Reduce
2+7+1
1+0+0
1+9
6
Second Total
10
1
1
-
Reduce to Deduce
1+0
-
-
6
Essence of Number
1
1
1

 

 

3
THE
33
15
6
4
TRUE
64
19
1
9
ATONEMENT
107
35
8
16
First Total
204
69
15
1+6
Add to Reduce
2+0+4
6+9
1+5
7
Second Total
6
15
6
-
Reduce to Deduce
-
1+5
-
7
Essence of Number
6
6
6

 

 

3
THE
33
15
6
4
SELF
42
15
6
11
CRUCIFIXION
131
68
5
2
OF
21
12
3
3
THE
33
15
6
11
CRUCIFIXION
131
68
5
2
OF
21
12
3
3
THE
33
15
6
4
SELF
42
15
6
43
First Total
487
235
46
4+3
Add to Reduce
4+8+7
2+3+5
4+6
7
Second Total
19
10
10
-
Reduce to Deduce
1+9
1+0
1+0
7
Third Total
10
1
1
-
Reduce to Adduce
1+9
-
-
7
Essence of Number
1
1
2

 

 

3
THE
33
15
6
4
TRUE
64
19
1
5
DEATH
38
20
2
2
ON
29
11
2
3
THE
33
15
6
5
CROSS
74
20
2
3
THE
33
15
6
4
TRUE
64
19
1
9
ATONEMENT
107
35
8
2
I+S
28
19
1
3
THE
33
15
6
4
SELF
42
15
6
11
CRUCIFIXION
131
68
5
2
OF
21
12
3
3
THE
33
15
6
11
CRUCIFIXION
131
68
5
2
OF
21
12
3
3
THE
33
15
6
4
SELF
42
15
6
83
First Total
990
423
81
8+3
Add to Reduce
9+9+0
4+2+3
8+1
11
Second Total
18
9
9
1+1
Reduce to Deduce
1+8
-
-
2
Essence of Number
9
9
9

 

AT ONE MENTALLY GODS MENTALLY AT ONE

 

11
CRUCIFIXION
-
-
-
-
-
-
-
-
-
C
3
3
3
-
3
-
-
-
-
R
18
9
9
-
-
-
-
9
-
U
21
3
3
5
3
5
5
-
5
C
3
3
3
-
3
-
-
-
-
I
9
9
9
-
-
-
-
9
5
F
6
6
6
-
-
-
6
-
-
I
9
9
9
-
-
-
-
9
5
X
24
6
6
-
-
-
6
-
-
I
9
9
9
5
5
5
-
9
-
O
15
6
6
-
-
-
6
-
-
N
14
5
5
-
-
5
-
-
11
CRUCIFIXION
131
68
68
-
9
5
18
36
1+1
-
1+3+1
6+8
6+8
5
-
-
1+8
3+6
2
CRUCIFIXION
5
14
14
-
9
5
9
9
-
-
-
1+4
1+4
-
-
-
-
-
2
CRUCIFIXION
5
5
5
-
9
5
9
9

 

 

9
CRUCIFIED
-
-
-
-
-
-
-
-
C
3
3
3
-
3
-
-
-
R
18
9
9
-
-
-
9
-
U
21
3
3
5
3
5
-
5
C
3
3
3
-
3
-
-
-
I
9
9
9
-
-
-
9
-
F
6
6
6
-
-
6
-
-
I
9
9
9
-
-
-
9
-
E+D
9
9
9
-
-
-
9
9
CRUCIFIED
78
51
51
-
9
6
36
-
-
7+8
5+1
5+1
5
-
-
3+6
9
CRUCIFIED
15
6
6
-
9
6
9
-
-
1+5
-
-
-
-
-
-
9
CRUCIFIED
6
6
6
-
9
6
9

 

 

7
CRUCIFY
-
-
-
-
-
-
-
-
-
C
3
3
3
-
3
-
-
-
-
R
18
9
9
-
-
-
-
9
-
U
21
3
3
5
3
5
5
-
5
C
3
3
3
-
3
-
-
-
-
I
9
9
9
-
-
-
5
9
-
F
6
6
6
-
-
6
-
5
-
Y
25
7
7
-
-
-
7
-
7
CRUCIFY
85
40
40
-
9
6
7
18
-
-
8+5
4+0
4+0
5
-
-
-
1+8
7
CRUCIFY
13
4
4
-
9
6
7
9
-
-
1+3
-
-
-
-
-
-
-
7
CRUCIFY
4
4
4
-
9
6
7
9

 

 

7
CRUCIFY
67
40
40
3
HIM
30
21
21
10
-
97
61
61
1+0
5
9+7
6+1
2+1
1
5
16
7
7
-
-
1+6
-
-
1
-
7
7
7

 

 

7
CRUCIFY
85
40
40
-
-
8+5
4+0
4+0
7
CRUCIFY
13
4
4
-
-
1+3
-
-
7
CRUCIFY
4
4
4
-
-
-
-
-
-
-
-
-
-
3
HIM
-
-
-
5
H
8
8
8
-
I
9
9
9
-
M
13
4
4
3
HIM
30
21
21
-
-
3+0
2+1
2+1
3
HIM
3
3
3
-
-
1+3
-
-
3
HIM
4
3
3

 

 

7
CRUCIFY
-
-
-
-
1
2
3
4
5
6
7
8
9
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
U
21
3
3
5
5
5
3
5
5
5
5
5
-
5
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
F
6
6
6
-
-
-
-
-
-
6
-
-
5
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
7
CRUCIFY
85
40
40
-
-
-
9
-
-
6
7
-
18
-
-
8+5
4+0
4+0
5
5
5
-
-
5
-
-
-
1+8
7
CRUCIFY
13
4
4
-
-
-
9
-
-
6
7
5
9
-
-
1+3
-
-
-
-
-
-
-
-
-
-
-
-
7
CRUCIFY
4
4
4
-
-
-
9
-
-
6
7
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
HIM
-
-
-
-
-
-
-
-
-
-
-
-
-
5
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
M
13
4
4
-
-
-
-
4
-
-
-
-
-
3
HIM
30
21
21
-
-
-
9
4
-
6
7
8
9
-
-
3+0
2+1
2+1
5
5
5
-
-
5
-
-
-
-
3
HIM
3
3
3
-
-
-
9
4
-
6
7
8
9
-
-
1+3
-
-
-
-
-
-
-
-
-
-
-
-
3
HIM
4
3
3
-
-
-
9
4
-
6
7
8
9

 

 

7
CRUCIFYHIM
-
-
-
-
1
2
3
4
5
6
7
8
9
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
U
21
3
3
5
5
5
3
5
5
5
5
5
-
5
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
F
6
6
6
-
-
-
-
-
-
6
-
-
5
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
5
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
M
13
4
4
-
-
-
-
4
-
-
-
-
-
10
CRUCIFYHIM
115
61
61
-
-
-
9
4
-
6
7
8
9
1+0
-
1+1+5
6+1
6+1
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9
-
-
-
-
-
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9

 

 

7
CRUCIFYHIM
-
-
-
-
1
2
3
4
5
6
7
8
9
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
U
21
3
3
5
5
5
3
5
5
5
5
5
-
5
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
F
6
6
6
-
-
-
-
-
-
6
-
-
5
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
5
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
M
13
4
4
-
-
-
-
4
-
-
-
-
-
10
CRUCIFYHIM
115
61
61
-
-
-
9
4
-
6
7
8
9
1+0
-
1+1+5
6+1
6+1
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9
-
-
-
-
-
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9

 

 

7
CRUCIFYHIM
-
-
-
-
1
2
3
4
5
6
7
8
9
-
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
U
21
3
3
5
5
5
3
5
5
5
5
5
-
5
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
F
6
6
6
-
-
-
-
-
-
6
-
-
5
-
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
5
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
I
9
9
9
-
-
-
-
-
-
-
5
-
9
-
M
13
4
4
-
-
-
-
4
-
-
-
-
-
10
CRUCIFYHIM
115
61
61
-
-
-
9
4
-
6
7
8
9
1+0
-
1+1+5
6+1
6+1
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9
-
-
-
-
-
5
5
5
-
-
5
-
-
-
-
1
CRUCIFYHIM
7
7
7
-
-
-
9
4
-
6
7
8
9

 

 

7
CRUCIFY
67
40
40
3
HIM
30
21
21
10
-
97
61
61
1+0
5
9+7
6+1
2+1
1
5
16
7
7
-
-
1+6
-
-
1
-
7
7
7

 

 

-
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
-
-
-
-
-
-
9
-
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
-
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
7
-
-
-
4
+
=
35
3+5
=
8
=
8
=
8
-
-
3
18
21
3
-
6
25
-
-
-
13
+
=
89
8+9
=
17
1+7
8
=
8
-
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
25
-
8
9
13
+
=
115
1+1+5
=
7
=
7
=
7
-
-
3
9
3
3
9
6
7
-
8
9
4
+
=
61
6+1
=
7
=
7
=
7
-
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
9
-
-
-
-
9
-
-
-
9
occurs
x
2
=
27
2+7
9
8
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
37
-
-
9
-
61
-
43
-
1+0
3
-
3
3
-
-
-
-
-
-
-
-
-
2+5
-
-
-
-
6+1
-
4+3
8
1
C
R
U
C
I
F
Y
-
H
I
M
-
-
7
-
-
9
-
7
-
7
-
-
3
9
3
3
9
6
7
-
8
9
4
-
-
-
-
-
-
-
-
-
-
8
1
C
R
U
C
I
F
Y
-
H
I
M
-
-
7
-
-
9
-
7
-
7

 

 

10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
-
-
-
-
-
9
-
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
7
-
-
-
4
+
=
35
3+5
=
8
=
8
=
8
-
3
18
21
3
-
6
25
-
-
-
13
+
=
89
8+9
=
17
1+7
8
=
8
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
25
-
8
9
13
+
=
115
1+1+5
=
7
=
7
=
7
-
3
9
3
3
9
6
7
-
8
9
4
+
=
61
6+1
=
7
=
7
=
7
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
-
-
9
-
-
-
-
9
-
-
-
9
occurs
x
2
=
27
2+7
9
10
C
R
U
C
I
F
Y
-
H
I
M
-
-
37
-
-
9
-
61
-
43
1+0
3
-
3
3
-
-
-
-
-
-
-
-
-
2+5
-
-
-
-
6+1
-
4+3
1
C
R
U
C
I
F
Y
-
H
I
M
-
-
7
-
-
9
-
7
-
7
-
3
9
3
3
9
6
7
-
8
9
4
-
-
-
-
-
-
-
-
-
-
1
C
R
U
C
I
F
Y
-
H
I
M
-
-
7
-
-
9
-
7
-
7

 

 

10
C
R
U
C
I
F
Y
H
I
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
-
-
-
-
-
9
-
-
8
9
-
+
=
26
2+6
=
8
=
8
=
8
10
C
R
U
C
I
F
Y
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
7
-
-
4
+
=
35
3+5
=
8
=
8
=
8
-
3
18
21
3
-
6
25
-
-
13
+
=
89
8+9
=
17
1+7
8
=
8
10
C
R
U
C
I
F
Y
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
25
8
9
13
+
=
115
1+1+5
=
7
=
7
=
7
-
3
9
3
3
9
6
7
8
9
4
+
=
61
6+1
=
7
=
7
=
7
10
C
R
U
C
I
F
Y
H
I
M
-
-
-
-
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
-
-
9
-
-
-
9
-
-
-
9
occurs
x
2
=
27
2+7
9
10
C
R
U
C
I
F
Y
H
I
M
-
-
37
-
-
9
-
61
-
43
1+0
3
-
3
3
-
-
-
-
-
-
-
-
2+5
-
-
-
-
6+1
-
4+3
1
C
R
U
C
I
F
Y
H
I
M
-
-
7
-
-
9
-
7
-
7
-
3
9
3
3
9
6
7
8
9
4
-
-
-
-
-
-
-
-
-
-
1
C
R
U
C
I
F
Y
H
I
M
-
-
7
-
-
9
-
7
-
7

 

 

-
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
+
=
9
1+8
=
9
=
9
=
9
-
-
-
-
-
-
9
-
-
+
=
9
1+8
=
9
=
9
=
9
-
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
7
+
=
31
3+1
=
4
=
4
=
4
-
-
3
18
21
3
-
6
25
+
=
76
7+6
=
13
1+3
4
=
4
-
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
25
+
=
85
8+5
=
13
1+3
4
=
4
-
-
3
9
3
3
9
6
7
+
=
40
4+0
=
4
=
4
=
4
-
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
occurs
x
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
2
occurs
x
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
20
7
C
R
U
C
I
F
Y
-
-
25
-
-
9
-
40
-
31
2+0
-
3
-
3
3
-
-
-
-
-
2+5
-
-
-
-
4+0
-
3+1
2
7
C
R
U
C
I
F
Y
-
-
7
-
-
9
-
4
-
4
-
-
3
9
3
3
9
6
7
-
-
-
-
-
-
-
-
-
-
2
7
C
R
U
C
I
F
Y
-
-
7
-
-
9
-
4
-
4

 

 

7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
+
=
9
1+8
=
9
=
9
=
9
-
-
-
-
-
9
-
-
+
=
9
1+8
=
9
=
9
=
9
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
7
+
=
31
3+1
=
4
=
4
=
4
-
3
18
21
3
-
6
25
+
=
76
7+6
=
13
1+3
4
=
4
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
25
+
=
85
8+5
=
13
1+3
4
=
4
-
3
9
3
3
9
6
7
+
=
40
4+0
=
4
=
4
=
4
7
C
R
U
C
I
F
Y
-
-
-
-
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
=
7
-
-
9
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
7
C
R
U
C
I
F
Y
-
-
25
-
-
9
-
40
-
31
-
3
-
3
3
-
-
-
-
-
2+5
-
-
-
-
4+0
-
3+1
7
C
R
U
C
I
F
Y
-
-
7
-
-
9
-
4
-
4
-
3
9
3
3
9
6
7
-
-
-
-
-
-
-
-
-
-
7
C
R
U
C
I
F
Y
-
-
7
-
-
9
-
4
-
4

 

 

-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
6
9
6
5
+
=
44
4+4
=
8
=
8
=
8
-
-
-
-
-
-
9
-
9
24
9
15
14
+
=
71
7+1
=
8
=
8
=
8
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
-
-
-
-
-
+
=
24
2+4
=
6
=
6
=
6
-
-
3
18
21
3
-
6
-
-
-
-
-
+
=
51
5+1
=
6
=
6
=
6
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
9
24
9
15
14
+
=
131
1+3+1
=
5
=
5
=
5
-
-
3
9
3
3
9
6
9
6
9
6
5
+
=
68
6+8
=
14
1+4
5
=
5
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
7
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
8
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
6
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
9
-
9
-
9
-
-
-
-
9
occurs
x
4
=
36
3+6
9
22
11
C
R
U
C
I
F
I
X
I
O
N
-
-
23
-
-
11
-
68
-
32
2+2
1+1
-
9
-
-
9
-
9
-
9
-
-
-
-
2+3
-
-
1+1
-
6+8
-
3+2
4
2
C
R
U
C
I
F
I
X
I
O
N
-
-
5
-
-
2
-
14
-
5
-
-
3
9
3
3
9
6
9
6
9
6
5
-
-
-
-
-
-
-
1+4
-
-
4
2
C
R
U
C
I
F
I
X
I
O
N
-
-
5
-
-
2
-
5
-
5

 

 

-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
6
9
6
5
+
=
44
4+4
=
8
=
8
=
8
-
-
-
-
-
-
9
-
9
24
9
15
14
+
=
71
7+1
=
8
=
8
=
8
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
-
-
-
-
-
+
=
24
2+4
=
6
=
6
=
6
-
-
3
18
21
3
-
6
-
-
-
-
-
+
=
51
5+1
=
6
=
6
=
6
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
9
24
9
15
14
+
=
131
1+3+1
=
5
=
5
=
5
-
-
3
9
3
3
9
6
9
6
9
6
5
+
=
68
6+8
=
14
1+4
5
=
5
-
11
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
6
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
9
-
9
9
-
9
-
9
-
-
-
-
9
occurs
x
4
=
36
3+6
9
22
11
C
R
U
C
I
F
I
X
I
O
N
-
-
23
-
-
11
-
68
-
32
2+2
1+1
-
9
-
-
9
-
9
-
9
-
-
-
-
2+3
-
-
1+1
-
6+8
-
3+2
4
2
C
R
U
C
I
F
I
X
I
O
N
-
-
5
-
-
2
-
14
-
5
-
-
3
9
3
3
9
6
9
6
9
6
5
-
-
-
-
-
-
-
1+4
-
-
4
2
C
R
U
C
I
F
I
X
I
O
N
-
-
5
-
-
2
-
5
-
5

 

 

-
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
-
-
-
9
-
9
-
-
+
=
18
1+8
=
9
=
9
=
9
-
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
-
5
4
+
=
33
3+3
=
6
=
6
=
6
-
-
3
18
21
3
-
6
-
5
4
+
=
60
6+0
=
6
=
6
=
6
-
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
9
5
4
+
=
78
7+8
=
15
1+5
6
=
6
-
-
3
9
3
3
9
6
9
5
4
+
=
51
5+1
=
6
=
6
=
6
-
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
7
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
8
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
18
9
C
R
U
C
I
F
I
E
D
-
-
27
-
-
9
-
51
-
33
1+8
-
3
-
3
3
-
-
-
-
-
-
-
2+3
-
-
-
-
5+1
-
3+3
9
9
C
R
U
C
I
F
I
E
D
-
-
5
-
-
9
-
6
-
6
-
-
3
9
3
3
9
6
9
5
4
-
-
-
-
-
-
-
-
-
-
9
9
C
R
U
C
I
F
I
E
D
-
-
5
-
-
9
-
6
-
6

 

 

9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
-
-
9
-
9
-
-
+
=
18
1+8
=
9
=
9
=
9
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
3
9
3
3
-
6
-
5
4
+
=
33
3+3
=
6
=
6
=
6
-
3
18
21
3
-
6
-
5
4
+
=
60
6+0
=
6
=
6
=
6
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
3
18
21
3
9
6
9
5
4
+
=
78
7+8
=
15
1+5
6
=
6
-
3
9
3
3
9
6
9
5
4
+
=
51
5+1
=
6
=
6
=
6
9
C
R
U
C
I
F
I
E
D
-
-
-
-
-
-
-
-
-
-
-
3
-
3
3
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
9
C
R
U
C
I
F
I
E
D
-
-
27
-
-
9
-
51
-
33
-
3
-
3
3
-
-
-
-
-
-
-
2+3
-
-
-
-
5+1
-
3+3
9
C
R
U
C
I
F
I
E
D
-
-
5
-
-
9
-
6
-
6
-
3
9
3
3
9
6
9
5
4
-
-
-
-
-
-
-
-
-
-
9
C
R
U
C
I
F
I
E
D
-
-
5
-
-
9
-
6
-
6

 

 

9
CRUCIFIES
93
48
3
7
CRUCIFY
85
40
4
11
CRUCIFIXION
131
68
5
9
CRUCIFIED
78
51
6

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy 2001

THE GNOSTIC HERITAGE

THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS

Page 74

When the Nag Hammadi library of Christian Gnostic texts were discovered in 1945, Jung's foundation bought one of the collections, now known as the Jung Codex. When translated, these works proved that many of his intuitions about Christian Gnosticism had been remarkably correct. towards the end of his life he appeared on a television chat show, in which he famously replied to the question of whether he believed in God with the perennial Gnostic assertion: 'I know that God exists. I don't need to believe, I know.'106

 

 

I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
T
=
2
-
4
THAT
49
13
4
G
=
7
-
3
GOD
26
17
8
E
=
5
-
6
EXISTS
96
24
6
-
-
25
-
18
-
243
81
36
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
D
=
4
-
4
DON'T
53
17
8
N
=
5
-
4
NEED
28
19
9
T
=
2
-
2
TO
35
8
8
B
=
2
-
7
BELIEVE
60
33
6
I
=
9
-
1
I
9
9
9
K
=
2
-
4
KNOW
63
18
9
-
-
33
-
23
-
257
113
41
-
-
-
-
-
-
-
-
-
-
-
58
-
41
First Total
500
194
77
-
-
5+8
-
4+1
Add to Reduce
5+0+0
1+9+4
7+7
-
-
13
-
5
Second Total
5
14
14
-
-
1+3
-
-
Reduce to Deduce
-
1+4
1+4
-
-
4
-
5
Essence of Number
5
5
5

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy 2,000

JESUS AND THE GODDESS

THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS

Page 217

"The aeons Christ and Holy Spirit are emanated by the Primal Parent as two poles of one syzygy."

 

S
=
1
-
-
SYZYGY
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
Y
25
7
7
-
-
-
-
1
Z
26
8
8
-
-
-
-
1
G
7
7
7
-
-
-
-
1
Y
25
7
7
S
=
1
-
6
SYZYGY
102
39
30
-
-
-
-
-
-
1+0+2
3+9
3+0
-
-
5
-
6
SYZYGY
3
12
3
-
-
-
-
-
-
-
1+2
2+3
-
-
5
-
6
SYZYGY
3
3
3

 

 

C
=
3
-
-
CHRIST
-
-
-
-
-
-
Q
1
C
3
3
3
-
-
-
Q
2
H+S
27
18
9
-
-
-
Q
1
R
18
9
9
-
-
-
Q
1
I
9
9
9
-
-
-
Q
1
T
20
2
2
C
=
3
-
6
CHRIST
77
41
32
-
-
-
-
-
-
7+7
4+1
3+2
C
=
3
Q
6
CHRIST
14
5
5
-
-
-
-
-
-
1+4
-
-
C
=
3
Q
6
CHRIST
5
5
5

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy 2,000

JESUS AND THE GODDESS

THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS

Page 206

'The way down and the way up are the same', as the Christian master Dositheus teaches, quoting a famous line from the Pagan sage Heraclitus.85

 

 

T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WAY
49
13
4
D
=
4
-
4
DOWN
56
20
2
A
=
1
-
3
AND
19
10
1
T
=
2
-
3
THE
96
24
6
W
=
5
-
3
WAY
49
13
4
U
=
3
-
2
UP
37
10
1
A
=
9
-
3
ARE
24
15
8
T
=
2
-
3
THE
33
15
6
S
=
9
-
4
SAME
38
11
2
-
-
33
-
31
First Total
371
137
38
-
-
3+3
-
3+1
Add to Reduce
3+7+1
1+9+4
3+8
-
-
6
-
4
Second Total
11
11
11
-
-
-
-
-
Reduce to Deduce
1+1
1+1
1+1
-
-
6
-
4
Essence of Number
2
2
2

 

 

B
=
2
-
5
BEING
37
28
1
I
=
9
-
2
IN
23
14
5
G
=
7
-
3
GOD
26
17
8
-
-
18
-
10
First Total
86
59
14
-
-
1+8
-
1+0
Add to Reduce
8+6
5+9
1+4
-
-
9
-
1
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
9
-
1
Essence of Number
5
5
5

 

 

T
=
2
-
3
THE
33
15
6
A
=
1
-
8
ABSOLUTE
95
23
5
M
=
4
-
7
MYSTERY
125
35
8
O
=
6
-
2
OF
21
12
3
B
=
2
-
5
BEING
37
28
1
-
-
15
-
25
Add to Reduce
311
113
23
-
-
1+5
-
2+5
Reduce to Deduce
3+1+1
1+1+3
2+3
-
-
6
-
7
Essence of Number
5
5
5

 

 

T
=
2
-
3
THE
33
15
6
M
=
4
-
7
MYSTERY
125
35
8
O
=
6
-
2
OF
21
12
3
B
=
2
-
5
BEING
37
28
1
-
-
14
-
17
Add to Reduce
216
90
18
-
-
1+4
-
1+7
Reduce to Deduce
2+1+6
9+0
2+3
-
-
5
-
8
Essence of Number
9
9
5

 

 

M
=
4
-
9
MYSTERIES
133
43
7
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
A
=
1
-
3
AND
19
10
1
D
=
4
-
5
DEATH
38
20
2
-
-
18
-
23
Add to Reduce
243
108
18
-
-
1+8
-
2+3
Reduce to Deduce
2+4+3
1+0+8
1+8
-
-
9
-
5
Essence of Number
9
9
9

 

DEATH THE R IN THREAD

 

T
=
2
-
3
THE
33
15
6
R
=
9
-
1
R
18
9
9
T
=
2
-
6
THREAD
56
29
2
I
=
9
-
2
IS
28
10
1
-
-
22
-
12
Add to Reduce
135
90
18
-
-
2+2
-
1+2
Reduce to Deduce
1+3+5
9+0
1+8
-
-
4
-
3
Essence of Number
9
9
5

 

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
-
-
-
-
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

-
CODE
--
-
-
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODE
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODER
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

 

S
=
1
-
8
SPINNING
102
48
3
T
=
2
-
3
THE
33
15
6
T
=
2
Q
7
THREADS
75
30
3
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
G
=
7
Q
6
GOLDEN
57
30
3
W
=
5
-
3
WEB
30
12
3
-
-
25
Q
32
Add to Reduce
351
162
27
-
=
2+5
=
3+2
Reduce to Deduce
3+5+1
1+6+2
2+7
-
-
7
-
5
Essence of Number
9
9
9

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
8
CHRISTOS
111
39
3
-
=
5
-
11
Add to Reduce
144
54
9
-
=
-
-
1+1
Reduce to Deduce
1+6+2
9+0
-
-
=
5
-
2
Essence of Number
9
9
9

 

 

-
11
T
H
E
-
C
H
R
I
S
T
O
S
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
8
-
9
1
-
6
1
+
=
33
3+3
=
6
=
6
=
6
-
`-
-
8
-
-
-
8
-
9
19
-
15
19
+
=
78
7+8
=
15
1+5
6
=
6
-
11
T
H
E
-
C
H
R
I
S
T
O
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
3
-
9
-
-
2
-
-
+
=
21
2+1
=
3
1+0
3
=
3
-
`-
20
-
5
-
3
-
18
-
-
20
-
-
+
=
66
6+6
=
12
1+2
3
=
3
-
11
T
H
E
-
C
H
R
I
S
T
O
S
-
-
-
-
-
-
-
-
-
-
-
`-
20
8
5
-
3
8
18
9
19
20
15
19
+
=
144
1+4+4
=
9
=
9
=
9
-
-
2
8
5
-
3
8
9
9
1
2
6
1
+
=
54
5+4
=
9
=
9
=
9
-
11
T
H
E
-
C
H
R
I
S
T
O
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
=
2
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
7
-
-
-
7
-
-
-
4
FOUR
4
-
-
-
-
-
-
--
-
-
5
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
-
--
-
8
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
11
11
T
H
E
-
C
H
R
I
S
T
O
S
-
-
34
-
-
11
-
54
-
36
1+1
1+1
-
-
-
-
-
-
9
9
-
-
-
-
-
-
3+4
-
-
1+1
-
5+4
-
3+6
2
2
T
H
E
-
C
H
R
I
S
T
O
S
-
-
7
-
-
2
-
9
-
9
-
-
2
8
5
-
3
8
9
9
1
2
6
1
-
-
-
-
-
-
-
-
-
-
2
2
T
H
E
-
C
H
R
I
S
T
O
S
-
-
7
-
-
2
-
9
-
9

 

 

-
CHRIST
-
-
-
-
C
3
3
3
-
RISH
54
27
9
-
T
20
2
2
6
CHRIST
77
32
14
-
-
7+7
3+2
1+4
6
CHRIST
14
5
5

 

 

-
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
9
1
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
8
-
9
19
-
+
=
36
3+6
=
9
=
9
=
9
-
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
-
-
2
+
=
14
1+4
=
5
=
5
=
5
-
-
3
-
18
-
-
20
+
=
41
4+1
=
5
=
5
=
5
-
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
3
8
18
9
19
20
+
=
77
7+7
=
14
1+4
5
=
5
-
-
3
8
9
9
1
2
+
=
32
3+2
=
5
=
5
=
5
-
6
C
H
R
I
S
T
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
5
FIVE
4
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
6
SIX
4
-
-
-
-
-
7
-
-
-
7
-
-
-
-
-
7
SEVEN
4
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
22
6
C
H
R
I
S
T
-
-
23
-
-
6
-
32
-
23
2+2
-
-
-
9
9
-
-
-
-
2+3
-
-
-
-
3+2
-
2+3
4
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5
-
-
3
8
9
9
1
2
T
-
-
-
-
-
-
-
-
-
4
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5

 

 

6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
-
8
-
9
1
-
+
=
18
1+8
=
9
=
9
=
9
-
-
8
-
9
19
-
+
=
36
3+6
=
9
=
9
=
9
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
3
-
9
-
-
2
+
=
14
1+4
=
5
=
5
=
5
-
3
-
18
-
-
20
+
=
41
4+1
=
5
=
5
=
5
6
C
H
R
I
S
T
-
-
-
-
-
-
-
-
-
-
-
3
8
18
9
19
20
+
=
77
7+7
=
14
1+4
5
=
5
-
3
8
9
9
1
2
+
=
32
3+2
=
5
=
5
=
5
6
C
H
R
I
S
T
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
6
C
H
R
I
S
T
-
-
23
-
-
6
-
32
-
23
-
-
-
9
9
-
-
-
-
2+3
-
-
-
-
3+2
-
2+3
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5
-
3
8
9
9
1
2
T
-
-
-
-
-
-
-
-
-
6
C
H
R
I
S
T
-
-
5
-
-
6
-
5
-
5

 

 

-
-
-
-
JESUS
-
-
-
-
-
-
1
J
10
1
1
-
-
-
1
E
5
5
5
-
-
-
1
S
19
10
1
-
-
-
1
U
21
3
3
-
-
-
1
S
19
10
1
J
=
1
5
JESUS
74
29
11
-
-
-
-
-
7+4
2+9
1+1
J
=
1
5
JESUS
11
11
2
-
-
-
-
-
1+1
1+1
-
J
=
1
5
JESUS
2
2
2

 

 

T
=
2
-
3
THE
33
15
6
C
=
3
-
6
CHRIST
77
32
5
M
=
4
-
4
MASS
52
7
7
-
=
9
-
13
Add to Reduce
162
54
18
-
=
-
-
1+3
Reduce to Deduce
1+6+2
9+0
1+8
-
=
9
-
4
Essence of Number
9
9
9

 

 

J
=
1
-
6
JOSEPH
73
28
1
J
=
1
-
5
JESUS
74
11
2
M
=
4
-
4
MARY
57
21
3
-
-
6
-
15
-
204
60
6
-
-
-
-
1+5
-
2+0+4
6+0
-
-
-
-
-
6
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
JOSEPH
1
6+1
7
-
-
-
-
5
JESUS
2
5+2
7
-
-
-
-
4
MARY
3
4+3
7

 

 

-
CHRIST
-
-
-
-
C
3
3
3
-
RISH
54
27
9
-
T
20
2
2
6
CHRIST
77
32
14
-
-
7+7
3+2
1+4
6
CHRIST
14
5
5

 

 

-
EUCHARIST
-
-
-
1
E
5
5
5
1
U
21
3
3
1
A
1
1
1
6
CHRIST
77
32
5
9
EUCHARIST
104
32
14
-
-
1+0+4
3+2
1+4
9
EUCHARIST
14
5
5

 

ISHI TELL IRISH RISHI HOW MANY FISH WERE LANDED AT GALILEE

 

-
EUCHARIST
-
-
-
1
A
1
1
1
1
E
5
5
5
1
U
21
3
3
6
CHRIST
77
32
5
9
EUCHARIST
104
32
14
-
-
1+0+4
3+2
1+4
9
EUCHARIST
14
5
5

 

SHRI KRISHNA' S REMEMBERING

BHAGAVAD GITA

"MANY LIVES ARUNJA YOU AND I HAVE LIVED I REMEMBER THEM ALL BUT THOU DOST NOT"

 

 

4
GODS
45
18
9
6
SPIRIT
91
37
1
4
ISIS
56
20
2
6
OSIRIS
89
35
8
6
VISHNU
93
30
3
5
SHIVA
59
59
5
7
KRISHNA
80
35
8
7
SHRISTI
102
39
3
5
RISHI
63
36
9
4
ISHI
45
27
9
6
CHRIST
77
32
5

 

 

GODS SPIRIT GODS

ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST

SING A SONG OF NINES OF NINES A SONG SING

 

 

SRI KRISHNAS REMEMBERING

BHAGAVAD GITA

"MANY LIVES ARUNJA YOU AND I HAVE LIVED I REMEMBER THEM ALL BUT THOU DOST NOT"

 

 

4
GODS
45
18
9
6
SPIRIT
91
37
1
4
ISIS
89
35
8
6
OSIRIS
89
35
8
6
VISHNU
93
30
3
5
SHIVA
59
59
4
7
KRISHNA
80
35
3
7
SHRISTI
102
39
3
5
RISHI
63
36
9
4
ISHI
45
27
9
6
CHRIST
77
32
5

 

 

GODS SPIRIT GODS

ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST

SING A SONG OF NINES OF NINES A SONG SING

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

 

-
SHRISTI
-
-
-
2
SH
27
18
9
1
R
18
9
9
1
I
9
9
9
2
ST
39
12
3
1
I
9
9
9
7
SHRISTI
102
48
39
-
-
1+0+2
4+8
3+9
7
SHRISTI
3
12
12
-
-
-
1+2
1+2
7
SHRISTI
3
3
3

 

 

-
7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
-
1
8
-
9
1
-
9
+
=
28
2+8
=
10
1+0
1
=
1
-
-
19
8
-
9
19
-
9
+
=
64
6+4
=
10
1+0
1
=
1
-
7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
2
-
+
=
11
1+1
=
2
=
2
=
2
-
-
-
-
18
-
-
20
-
+
=
38
3+8
=
11
1+1
2
=
2
-
7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
-
19
8
18
9
19
20
9
+
=
102
1+0+2
=
3
=
3
=
3
-
-
1
8
9
9
1
2
9
+
=
39
3+9
=
12
1+2
3
=
3
-
7
S
H
R
I
S
T
I
T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
7
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
9
9
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
25
7
S
H
R
I
S
T
I
-
-
20
-
-
7
-
39
-
21
2+5
-
-
-
9
9
-
-
9
-
-
2+0
-
-
-
-
3+9
-
2+1
7
7
S
H
R
I
S
T
I
-
-
2
-
-
7
-
12
-
3
-
-
1
8
9
9
1
2
9
-
-
-
-
-
-
-
1+2
-
-
7
7
S
H
R
I
S
T
I
-
-
2
-
-
7
-
3
-
3

 

 

7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
1
8
-
9
1
-
9
+
=
28
2+8
=
10
1+0
1
=
1
-
19
8
-
9
19
-
9
+
=
64
6+4
=
10
1+0
1
=
1
7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
2
-
+
=
11
1+1
=
2
=
2
=
2
-
-
-
18
-
-
20
-
+
=
38
3+8
=
11
1+1
2
=
2
7
S
H
R
I
S
T
I
-
-
-
-
-
-
-
-
-
-
-
19
8
18
9
19
20
9
+
=
102
1+0+2
=
3
=
3
=
3
-
1
8
9
9
1
2
9
+
=
39
3+9
=
12
1+2
3
=
3
7
S
H
R
I
S
T
I
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
9
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
7
S
H
R
I
S
T
I
-
-
20
-
-
7
-
39
-
21
-
-
-
9
9
-
-
9
-
-
2+0
-
-
-
-
3+9
-
2+1
7
S
H
R
I
S
T
I
-
-
2
-
-
7
-
12
-
3
-
1
8
9
9
1
2
9
-
-
-
-
-
-
-
1+2
-
-
7
S
H
R
I
S
T
I
-
-
2
-
-
7
-
3
-
3

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.

 

 

S
=
1
-
-
SHRISTI
-
-
-
-
-
-
-
2
S+H
27
18
9
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
S+T
39
12
2
-
-
-
-
1
I
9
9
9
S
=
1
-
7
SHRISTI
102
48
39
-
-
-
-
-
-
1+0+2
4+8
3+9
S
=
1
-
7
SHRISTI
3
12
12
-
-
-
-
-
-
-
1+2
1+2
S
=
1
-
7
SHRISTI
3
3
3

 

 

P
=
1
-
10
PROJECTION
67
13
4
-
-
-
-
6
P
16
7
7
-
-
-
-
6
R
18
9
9
-
-
-
-
4
O
15
6
6
-
-
-
-
4
J+E+C
18
9
9
-
-
-
-
4
T
20
2
2
-
-
-
-
6
I
9
9
9
-
-
-
-
4
O+N
29
11
2
P
=
7
-
10
PROJECTION
125
53
44
-
-
-
-
1+0
-
1+2+5
5+3
4+4
P
=
7
-
1
PROJECTION
8
8
8

 

 

9
ASCENSION
67
13
4
6
A
1
1
1
4
S+C+E
27
9
9
4
N+S
33
6
6
6
I
9
9
9
4
O+N
29
11
2
9
ASCENSION
99
36
27
-
-
9+9
3+6
2+7
9
ASCENSION
18
9
9
-
-
1+8
-
-
9
ASCENSION
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

PARADISE

THE

GARDEN OF EDEN

 

3
THE
33
15
6
6
GARDEN
49
31
4
2
OF
21
12
3
4
EDEN
28
19
1
15
First Total
131
77
14
1+5
Add to Reduce
1+3+1
7+7
1+4
6
Second Total
5
14
5
-
Reduce to Deduce
-
1+4
-
6
Essence of Number
5
5
5

 

 

PARADE EYES IN THE GARDEN OF NEED

PARADISE THE GARDEN OF EDEN

PARADE EYES IN THE GARDEN OF NEED

 

 

A
=
1
-
10
ADAM AND EVE
70
34
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
8
PARADISE
73
37
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
6
PARADE
45
27
9
E
=
5
-
4
EYES
54
18
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GARDEN
49
31
4
O
=
6
-
2
OF
21
12
3
N
=
5
-
4
NEED
28
19
1
-
-
29
4
17
First Total
253
91
19
-
-
2+9
-
1+7
Add to Reduce
2+5+3
9+1
1+9
-
-
11
-
8
Second Total
10
10
10
-
-
1+1
4
-
Reduce to Deduce
1+0
1+0
1+0
-
-
2
-
8
Essence of Number
1
1
1

 

 

4
NEED
28
19
1
4
EDEN
28
19
1

 

 

-
-
-
-
ADAM
-
-
-
-
-
-
1
A
1
1
1
-
-
-
1
D
4
4
4
-
-
-
1
A
1
1
1
-
-
-
1
M
13
4
4
A
=
1
4
ADAM
19
10
10
-
-
-
-
-
1+9
1+0
1+0
A
=
1
4
ADAM
10
1
1
-
-
-
-
-
1+0
-
-
A
=
1
4
ADAM
1
1
1

 

 

-
-
-
-
ADAM
-
-
-
-
-
-
2
A+D
5
5
5
-
-
-
2
A+M
14
5
5
A
=
1
4
ADAM
19
10
10
-
-
-
-
-
1+9
1+0
1+0
A
=
1
4
ADAM
10
1
1
-
-
-
-
-
1+0
-
-
A
=
1
4
ADAM
1
1
1

 

 

-
-
-
-
-
ADAM
-
-
-
-
-
-
-
2
A+D
5
5
5
-
-
-
-
2
A+M
14
5
5
A
=
1
-
4
ADAM
19
10
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
EVE
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
V
22
4
4
-
-
-
-
1
E
5
5
5
E
=
5
-
3
EVE
32
14
14
-
-
-
-
-
-
-
-
-
-
-
6
-
7
-
51
24
24
-
-
-
-
-
-
5+1
2+4
2+4
-
-
6
-
7
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
6
-
7
-
6
6
6

 

EVE AND ADAM

EVEN

 

-
-
-
-
-
ADAM
-
-
-
-
-
-
-
2
A+D
5
5
5
-
-
-
-
2
A+M
14
5
5
A
=
1
-
4
ADAM
-
-
-
-
-
-
-
-
EVE
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
V
22
4
4
-
-
-
-
1
E
5
5
5
E
=
5
-
3
EVE
-
-
-

 

 

A
=
1
=
4
ADAM
19
10
1
A
=
1
=
3
AND
19
10
1
E
=
5
=
3
EVE
32
14
5
-
-
7
-
10
-
70
34
7
-
-
-
-
1+0
-
7+0
3+4
-
-
-
7
-
1
-
7
7
7

 

 

-
-
-
-
EVE
-
-
-
-
-
-
1
E
5
5
5
-
-
-
1
V
22
4
4
-
-
-
1
E
5
5
5
E
=
5
3
EVE
32
14
14
-
-
-
-
-
3+2
1+4
1+4
E
=
5
3
EVE
5
5
5
-
-
-
-
-
-
-
-
E
=
5
3
EVE
5
5
5

 

 

A
=
1
=
4
ADAM
19
10
1
E
=
5
=
3
EVE
32
14
5
-
-
6
-
7
-
51
24
6
-
-
-
-
-
-
5+1
2+4
-
-
-
6
-
7
-
6
6
6

 

 

A
=
1
=
4
ADAM
19
10
1
A
=
1
=
3
AND
19
10
1
E
=
5
=
3
EVE
32
14
5
-
-
7
-
10
-
70
34
7
-
-
-
-
1+0
-
7+0
3+4
-
-
-
7
-
1
-
7
7
7

 

WOULD

YOU ADAM AND EVE IT

 

-
-
-
-
EVE
-
-
-
-
-
-
1
E
5
5
5
-
-
-
1
V
22
4
4
-
-
-
1
E
5
5
5
E
=
5
3
EVE
32
14
14
-
-
-
-
-
3+2
1+4
1+4
E
=
5
3
EVE
5
5
5
-
-
-
-
-
-
-
-
E
=
5
3
EVE
5
5
5

 

 

-
-
-
-
EVEN
-
-
-
-
-
-
1
E
5
5
5
-
-
-
1
V
22
4
4
-
-
-
1
E
5
5
5
-
-
-
1
N
14
5
5
E
=
5
3
EVEN
46
19
19
-
-
-
-
-
4+6
1+9
1+9
E
=
5
3
EVEN
5
10
10
-
-
-
-
-
1+9
1+0
1+0
E
=
5
3
EVEN
10
1
1

 

THE

KINGDOM OF HEAVEN

THE

KINGDOM OF EVEN

 

 

-
-
-
-
HEAVEN
-
-
-
-
-
-
1
H
8
8
8
-
-
-
1
E
5
5
5
-
-
-
1
A
1
1
1
-
-
-
1
V
22
4
4
-
-
-
1
E
5
5
5
-
-
-
1
N
14
5
5
H
=
8
6
HEAVEN
55
28
28
-
-
-
-
-
5+5
2+8
2+8
H
=
8
6
HEAVEN
10
10
10
-
-
-
-
-
1+0
1+0
1+0
H
=
8
6
HEAVEN
1
1
1

 

 

-
-
-
-
HEAVEN
-
-
-
-
-
-
1
H+A
9
9
9
-
-
-
1
E
5
5
5
-
-
-
1
V+E
27
9
9
-
-
-
1
N
14
5
5
H
=
8
6
HEAVEN
55
28
28
-
-
-
-
-
5+5
2+8
2+8
H
=
8
6
HEAVEN
10
10
10
-
-
-
-
-
1+0
1+0
1+0
H
=
8
6
HEAVEN
1
1
1

 

 

-
-
-
-
HEAVEN
-
-
-
-
-
-
1
H+A
9
9
9
-
-
-
1
E
5
5
5
-
-
-
1
V+E
27
9
9
-
-
-
1
N
14
5
5
H
=
8
6
HEAVEN
55
28
28
-
-
-
-
-
5+5
2+8
2+8
H
=
8
6
HEAVEN
10
10
10
-
-
-
-
-
1+0
1+0
1+0
H
=
8
6
HEAVEN
1
1
1

 

 

-
-
-
-
HEAVEN
-
-
-
-
-
-
1
H
8
8
8
-
-
-
1
E
5
5
5
-
-
-
1
A+V
23
5
5
-
-
-
1
E
5
5
5
-
-
-
1
N
14
5
5
H
=
8
6
HEAVEN
55
28
28
-
-
-
-
-
5+5
2+8
2+8
H
=
8
6
HEAVEN
10
10
10
-
-
-
-
-
1+0
1+0
1+0
H
=
8
6
HEAVEN
1
1
1

 

 

H
=
8
6
HEAVEN
55
28
1
A
=
1
5
ABOVE
45
18
9
-
-
9
11
First Total
100
46
10
-
-
1+1
1+1
Add to Reduce
1+0+0
4+6
1+0
-
-
9
2
Second Total
1
10
1
-
-
-
-
Reduce to Deduce
-
1+0
-
-
-
9
2
Essence of Number
1
1
1

 

 

-
-
-
-
HEAVENS
-
-
-
-
-
-
1
H
8
8
8
-
-
-
1
E
5
5
5
-
-
-
2
A+V
23
5
5
-
-
-
1
E
5
5
5
-
-
-
1
N
14
5
5
-
-
-
1
S
19
10
1
H
=
8
7
HEAVENS
74
38
29
-
-
-
-
-
7+4
3+8
2+8
H
=
8
7
HEAVENS
11
11
11
-
-
-
-
-
1+1
1+1
1+1
H
=
8
7
HEAVENS
2
2
2

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

Alphabetics Commentary on "Immanuel" -- God with us
The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, ...
www.greaterthings.com/Word-Number/Immanuel.htm

Immanuel

Introduction

The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption.

Looking at the words before and after Immanuel/Emmanuel in Hebrew, Greek and English sheds interesting light on the word as it applies both to the first Messianic advent among the Jews as well as the second Messianic advent among the Gentiles.

KEY:
The following quotations come from the texts indicated. Editorial/explanatory comments are enclosed in [brackets].

Words Around "Immanuel" in Zodhiates' NT Greek Lexicon

1690 embrimaomai To be enraged, indignant, to express indignation against someone; to murmur against, blame. [The Jews were ticked off at Jesus.]
Syn. (2008), to admonish, adjudge, find fault with, rebuke; (4727), to groan, grieve; (1111), to mutter, murmur, grumble. [So typical of the Lord's people toward his work in their midst.]
Ant. (2106), to aprove; (4909), to consent in full approval

1691 eme The emphatic form of me (3165), I, me, myself. [e.g. God himself -- exclamation point!]

1692 emeo To spit out, vomit. [How the Jews and Gentiles receive their Messiah.]
Syn. ptuo (4429), to spit.
Ant. eisdechomai (1523), to receive, take into one's favor.

1693 emmainomai To be mad or furious with or against any person or thing.
Syn. (3912), to be insane, a fool [801]
Ant. (366), to come to one's senses [a nation shall be born in a day]; (1852), metaphorically to awake out of sleep, to be aware of one's actions.

> 1694 Emmanouel Proper noun transliterated from the Hebrew Immanu'el (6005, OT), God with us.

1695 Emmaous Emmaus. [Resurrected Christ walking in the midst and talking with two disciples who did not recognize him.]

1696 Emmeno To remain, persever in. [(1) to dwell with--Immanuel; (2) Fits the idea of Emmaus, when the disciples said to Jesus, "Abide with me, 'tis eventide."]
Syn. (1961), to continue in; (1265), to stay through.
Ant. (720), to deny, reounce; (3868), to give up, avoid, reject.

1697 Emmor from Hebr. Chamor, An ass. [play on words, depicting how man views those who do the work of God, including God himself, in their midst]

1698 Emoi I, me, mine, my. [God himself.]

1699 Emoi I, mine, my own. [God himself.]

1700 Emou Of me, mine, my. [God himself.]

1701 empaigmos Derision, scoffing, mocking. [e.g. Is how the Jews received Christ, their very God come to dwell in their midst in the flesh.]

1702 empaizo To deride, mock, scoff at. Empaizo is used in the Synoptic Gospels of the mockery of Christ . . . . The word is used prophetically by the Lord of His impending sufferings and of the insults actually inflicted upon Him by the men who were taking Him from Gethsemane; by Herod and his soldiers; by the soliers of the governor; by the chief priests, scribes, and elders.

1703 empaiktes A mocker, scoffer, spoken of impostors, false prophets. [Jesus accused of being a false Messiah, sent to deceive the people.]

1704 emperipateo To walk about in a place, e.g., the earth. Used metaphorically, meaning to walk or live among a people, be habitually conversant with. [Immanuel--God with us.]

1705 empiplemi and empiplao To fill, to fill in or up, to make full. In the NT spoken . . . of food, to fill with food, satisfy, satiate, to fill in regard to one's desire with good. Metaphorically in the pss., to be filled with any person or thing, meaning to enjoy the society or communion of someone. [Immanuel--God with us.]

1706 empipto To fall in. Followed by eis (1519), into, with acc. of place, to fall into. Of persons, to fallin with or among, to meet with. Metaphorically, to fallinto any state or condition, to come into. [The condescension of God: Immanuel--God with us.]

1707 empleko To braid in, interweave, entangle, implicate. [God in our midst, subject to the same rigors and circumstances as are we, hence able to intercede on our behalf.]

Words Around "Immanuel" in OT Hebrew Lexicon

The words alphabetically surrounding the Hebrew word for "Immanuel" in the Old Testament Lexicon (Gesenius) further elaborate on the idea of Immanuel: God with us.

What is particularly amazing about this series of words is that they contain all of the major elements of Jacob 5:72, which is a key scripture pointing to not just an Immanuel advent of Jesus Christ among the Jews anciently, but of an Immanuel advent among the Gentile husbandmen of the vineyard in these last days.

Jacob 5:72 reads:

"And it came to pass that the servants did go and labor with their mights; and the Lord of the vineyard labored also with them . . . "

It is important to note that in the sequence of Zenos allegory (Jacob 5), this is right toward the end, when the final thrust is made to salvage a corrupt vineyard. The first are gathered last, the last, first. The branches bringing forth the most bitter fruit are removed, as good branches are grafted in. This is not talking about Jesus coming among the Jews anciently, but rather is referring to these last days. It is our day to which the scripture is referring when it says, "the Lord of the vineyard labored also with them." Immanuel. God with us.

"And thus will I bring them together again, that they shall bring forth the natural fruit, and they shall be one" (Jacob 5:68.)

With this verse and its context in mind now, consider the following series of words in the Old Testament Lexicon, surrounding the word for Immanuel. Again, my comments are in [small brackets].

5994 deep, figuratively hidden, not to be searched out. [Preface to Jacob 5 reads: ". . . how is it possible that these, after having rejected the sure foundation, can ever build upon it, that it may become the head of their corner? Behold, my beloved brethren, I will unfold this mystery unto you . . ." (4:17,18.)]

5995 a sheaf (a bundle of corn[grain]) [(1) similar to vineyard symbolism; (2) sheaf as metaphor for gathering/dividing wheat & tares; (3) corn as code for Messiah]

5996 "servant of the Almighty" [servant, greatest of all]

5997 (1) fellowhip, i.e. my fellow, companion [the Lord of the vineyard labors along side them]; (2) a neighbour [in our midst]

5998 To labour [by our side, in our midst]

5999, 6000 (1) heavy, wearisome labour; (2) the produce of labour; (3) weariness, trouble, vexation; Isa. 53:11.

6004 (1) to gather together, to collect, to join together. [the mission of Immanuel.] (2) to shut, to close, hence to hide, to conceal; to be hidden. [veiled in the flesh.]

> 6005 Immanuel

6006 to take up, to lift, e.g. a stone [(1) after rejecting it, the stone becomes the head stone of their corner (Jacob 4:17); (2) "he (the Stone) shall be exalted and extolled, and be very high" (Isa. 52:13)]

6007 "whom Jehovah carries in his bosom" [(1) "in the shadow of his hand hath he hid me" (Isa. 49:2); (2) For ye are lawful heirs, according to the flesh, and have been hid from the world with Christ in God" (D&C 86:9.)]

6008 "eternal people" [people of God: Israel, Gentiles; first shall be last, last shall be first (Jacob 5)]

6009 To be deep, to be unsearchable. ["I will unfold this mystery unto you" (Jacob 4:18)]

Words Around "Immanuel" in the English Dictionary (Web. '71)

Again, my comments are in [small brackets].

imbrue To soak or drench in a fluid, as in blood. [e.g. Jesus Christ crucified by his own people, that all might have access to his grace.]

imbrute To degrade to the state of a brute. [God condescends to be born into the flesh, which is subject to corruption, in order to show that we, like him, can overcome the brute flesh.]

imbue To soak, steep, or tinge deeply; fig. to inspire, impress, or impregnate (the mind); to cause to become impressed or penetrated. [(1) by coming in the flesh, God is able to understand our struggles; (2) realizing God has done this for us has a strong power to deeply impress our souls on many counts]

imitate To follow as a model, pattern, or example, to copy or endeavour to copy in acts, manners, or otherwise. ["What manner of men ought ye to be? even as I am."]

immaculate Spotless, pure; unstained, undefiled; without blemish [contrast "sterling: exceptional purity," e.g. sterling silver = 92.5% silver; 7.5% tin; e.g. the approximate "A" grade cut-off point: 92.5%]

immanent Remaining in or within [i.e. in our midst: God with us]; hence, not passing out of the subject; inherent and indwelling [e.g. Holy Ghost: God with us]; internal or subjective.

> Immanuel God with us: an appellation of the Saviour immaterial

Not consisting of matter; incorporeal; spiritual [opposite of Immanuel: God in the flesh];
of no essential consequence ["He hath no form nor comeliness; and when we shall see him, there is no beauty that we should desire him." (Isa. 53:2.)];
unimportant [e.g. useless = meaning of word 888 in Greek NT lexicon. The numeric sum of the letters that spell "Jesus" in Greek total 888. See Jesus 888 = Christ 1480 and 888 and 'Without Hands']

Words Around "Emmanuel" in the English Dictionary

 

"The word Immanuel/Emmanuel means, "God with us." It conveys the idea of God come down in the flesh, mingling alongside mankind, subject to their brutality, while extending his love in bringing their redemption.

 

 

GOD WITH US AND US WITH GOD

 

 

3
GOD
26
17
8
4
WITH
60
24
6
2
US
40
4
4
9
Add to Reduce
126
45
18
-
Reduce to Deduce
1+2+6
4+5
1+8
9
Essence of Number
9
9
9

 

 

-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
-
-
24
-
-
6
-
-
-
9
-
8
-
-
1
+
=
24
2+4
=
6
=
6
=
6
51
-
-
15
-
-
-
9
-
8
-
-
19
+
=
51
5+1
=
6
=
6
=
6
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
-
-
21
-
7
-
4
-
5
-
2
-
-
3
-
+
=
21
2+1
=
3
=
3
=
3
75
-
7
-
4
-
23
-
20
-
-`
21
-
+
=
75
7+5
=
12
1+2
3
=
3
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
-
-
126
-
7
15
4
-
23
9
20
8
-
21
19
+
=
126
1+2+6
=
9
-
9
=
9
45
-
7
6
4
-
5
9
2
8
-
3
1
+
=
45
4+5
=
9
-
9
=
9
-
9
G
O
D
-
W
I
T
H
-
U
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
=
1
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
8
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
3
7
-
7
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
1
-
-
-
-
-
-
-
-
8
-
-
-
-
-
1
occurs
x
1
=
1
=
1
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
45
9
G
O
D
-
W
I
T
H
-
U
S
-
-
45
-
-
9
-
45
-
36
4+5
-
-
-
-
-
-
9
-
-
-
-
-
-
-
4+5
-
-
-
-
4+5
-
3+6
9
9
G
O
D
-
W
I
T
H
-
U
S
-
-
9
-
-
9
-
9
-
9
-
-
7
6
4
-
5
9
2
8
-
3
1
-
-
-
-
-
-
-
-
-
-
9
9
G
O
D
-
W
I
T
H
-
U
S
-
-
9
-
-
9
-
9
-
9

 

 

Immanuel - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Immanuel‎

Immanuel (or Emmanuel or Imanu'el, Hebrew עִמָּנוּאֵל meaning "God is with us") is a symbolic name which appears in chapters 7 and 8 of the Book of Isaiah ...
‎Isaiah 7-8 - ‎Matthew 1:22-23 - ‎See also - ‎References

Emmanuel | meaning of Emmanuel | name Emmanuel - Baby Names

 

 

Matthew 1:23 "The virgin will conceive and give birth to a son ... - Bible

biblehub.com/matthew/1-23.htm‎

They shall call his name Immanuel;" which is, being interpreted, "God with us." ... 1:18-25 Let us look to the circumstances under which the Son of God entered ..

 

 

God with us [Thinking Faith - the online journal of the British Jesuits]

www.thinkingfaith.org/articles/20090812_1.htm‎

Aug 12, 2009 - The theme of God being 'with' us also runs through the psalms and is found most famously in Psalm 23, The Lord is my shepherd: 'Even though ...

 

 

Immanuel - God With Us : ChristianCourier.com

https://www.christiancourier.com/articles/137-immanuel-god-with-us‎

The name "Immanuel" in Hebrew means "God is with us," and the prophecy finds its fulfillment in the birth of Jesus Christ.

 

 

Christ Emmanuel or God with Us - Grace Gems!

www.gracegems.org/W/e1.htm‎

Christ- Emmanuel, or God with Us. "They shall call His name Emmanuel, which being interpreted is, God with us."- Matthew 1:23. "All this took place to fulfill what ...

 

 

fulfillment in the birth of Jesus Christ.

Christ Emmanuel or God with Us - Grace Gems!

www.gracegems.org/W/e1.htm‎

Christ- Emmanuel, or God with Us. "They shall call His name Emmanuel, which being interpreted is, God with us."- Matthew 1:23. "All this took place to fulfill what...

 

 

Emmanuel name meaning - SheKnows.com

www.sheknows.com/baby-names/name/emmanuel

Hebrew Meaning: The name Emmanuel is a Hebrew baby name. In Hebrew the meaning of the name Emmanuel is: God with us. Also an Old Testament name ...

 

 

8
EMMANUEL
-
-
-
-
E+M
18
9
9
-
M+A+N+U+E
54
18
9
-
L
12
3
3
8
EMMANUEL
84
30
21
-
-
8+4
3+0
2+1
8
EMMANUEL
12
3
3
-
-
1+2
-
-
8
EMMANUEL
3
3
3

 

 

8
EMMANUEL
-
-
-
-
E
5
5
5
-
M+M+A
27
9
9
-
N+U+E+L
52
16
7
8
EMMANUEL
84
30
21
-
-
8+4
3+0
2+1
8
EMMANUEL
12
3
3
-
-
1+2
-
-
8
EMMANUEL
3
3
3

 

 

8
EMMANUEL
-
-
-
-
E-M
18
9
9
-
NAME
33
15
6
-
U-L
33
6
6
8
EMMANUEL
84
30
21
-
-
8+4
3+0
2+1
8
EMMANUEL
12
3
3
-
-
1+2
-
-
8
EMMANUEL
3
3
3

 

 

8
IMMANUEL
-
-
-
-
I
9
9
9
-
M+M+A
27
9
9
-
N+U+E+L
52
16
7
8
IMMANUEL
88
34
25
-
-
8+8
3+4
2+5
8
IMMANUEL
16
7
7
-
-
1+6
-
-
8
IMMANUEL
7
7
7

 

 

8
IMMANUEL
-
-
-
-
I
9
9
9
-
M
13
4
4
-
NAME
33
15
6
-
UL
33
6
6
8
IMMANUEL
88
34
25
-
-
8+8
3+4
2+5
8
IMMANUEL
16
7
7
-
-
1+6
-
-
8
IMMANUEL
7
7
7

 

 

6
HEAVEN
-
-
-
6
H+E+A
14
14
5
5
V+E+N
41
14
5
6
HEAVEN
55
28
10
-
-
5+5
2+8
1+0
6
HEAVEN
10
10
1
=
=
1+0
1+0
-
6
HEAVEN
1
1
1

 

 

6
HEAVEN
-
-
-
6
H+E+A
14
14
5
5
V+E+N
41
14
5
6
HEAVEN
55
28
10

 

 

6
HEAVEN
-
-
-
6
H+E+A+V
14
14
5
5
V+E+N
41
14
5
6
HEAVEN
55
28
10

 

 

6
HEAVEN
-
-
-
6
H+A
9
9
9
5
E+V+E+N
46
19
1
6
HEAVEN
55
28
10
-
-
5+5
2+8
1+0
6
HEAVEN
10
10
1
=
=
1+0
1+0
-
6
HEAVEN
1
1
1

 

HAVE ENTERED ENTERED HAVE

 

6
HEAVEN
-
-
-
6
H+A+V+E
9
9
9
5
E+N
46
19
1
6
HEAVEN
55
28
10
-
-
5+5
2+8
1+0
6
HEAVEN
10
10
1
=
=
1+0
1+0
-
6
HEAVEN
1
1
1

 

 

THE

KINGDOM

OF

EVEN

 

 

6
HEAVEN
55
28
1
6
EARTH
52
25
7
5
HELL
37
19
1
6
Add to Reduce
144
72
9
-
Reduce to Deduce
1+4+4
7+2
-
6
Essence of Number
9
9
9

 

 

9
JERUSALEM
104
41
5
4
J+E+R+U
54
18
9
5
S+A+L+E+M
50
14
5
9
JERUSALEM
104
41
14
-
-
1+0+4
4+1
1+4
9
JERUSALEM
5
5
5

 

 

9
JERUSALEM
104
41
5
4
J+E+R+U
54
18
9
5
M+A+L+E+S
50
14
5
9
JERUSALEM
104
41
14
-
-
1+0+4
4+1
1+4
9
JERUSALEM
5
5
5

 

 

9
JERUSALEM
104
41
5
4
J+E+R+U
54
18
9
2
M+E
18
9
9
3
A+L+S
50
14
5
9
JERUSALEM
104
41
14
-
-
1+0+4
4+1
1+4
9
JERUSALEM
5
5
5

 

 

9
JERUSALEM
104
41
5
-
JERU
104
41
5
4
J+E+R+U
54
18
9
4
J+E+S+U
55
19
1
-
JESU
104
41
5
9
JERUSALEM
104
41
14

 

 

5
JERUSALEM
104
41
5
14
JERU
104
41
14
4
J+E+R+U
54
18
9
5
R
18
18
9
14
S
19
10
1
4
J+E+S+U
55
19
1
5
JESU
104
41
14
9
JERUSALEM
104
41
14

 

 

9
JERUSALEM
104
41
5
5
JESUS
74
29
2
14
Add to Reduce
178
70
7
1+4
Reduce to Deduce
1+7+8
8+1
-
5
Essence of Number
7
7
7

 

 

9
JERUS+ALEM
104
41
5
9
JESUS+MALE
105
42
6
18
First Total
209
83
11
1+8
Add to Reduce
2+0+9
8+3
1+1
9
Second Total
11
11
2
-
Reduce to Deduce
1+1
1+1
-
9
Essence of Number
2
2
2

 

 

9
JERUSALEM
104
41
5
4
J+E+S+U
55
19
1
1
R
18
18
9
4
M+A+L+E
31
13
4
9
JERUSALEM
104
41
14
-
-
1+0+4
4+1
1+4
9
JERUSALEM
5
5
5

 

 

9
JERUSALEM
104
41
5
4
J+E+S+U
55
10
1
2
E+L
17
8
8
1
R
18
18
9
2
A+M
14
5
5
9
JERUSALEM
104
41
23
-
-
1+0+4
4+1
2+3
9
JERUSALEM
5
5
5

 

 

9
JERUSALEM
104
41
5
4
J+E+R+U
54
18
9
1
S
19
10
1
5
A+L
13
4
4
2
E+M
18
9
9
9
JERUSALEM
104
41
23
-
-
1+0+4
4+1
2+3
9
JERUSALEM
5
5
5

 

 

4
GODS
45
18
9
1
I
9
9
9
5
VOICE
54
27
9
10
Add to Reduce
108
54
27
1+0
Reduce to Deduce
1+0+8
5+4
2+7
1
Essence of Number
9
9
9

 

 

3
THE
33
15
6
4
LAND
31
13
4
2
OF
21
12
3
7
PROMISE
95
41
5
16
Add to Reduce
180
81
18
1+6
Reduce to Deduce
1+8+0
8+1
1+8
7
Essence of Number
9
9
9

 

 

ONE PEOPLE ONE EARTH ONE PEOPLE

ONE EARTH ONE PEOPLE ONE EARTH

A

MIND SPIRIT LIVING WORLD OF LIFE ETERNAL

 

 

 

 

NELSON MANDELA

 

"Nelson Mandela was imprisoned on Robben Island in 1964, and was the 466th prisoner to arrive that year. The prison administration's scheme of numbering prisoners was to follow the sequence number of the prisoner (466 in his case), with the last two digits of the year (64).[1]

The number was imposed on him by the prison for over 25 years, until his release in 1990. "Prisoner 46664" continues to be used as a reverential title for him.

 

N
=
5
-
6
NELSON
79
25
7
M
=
4
-
7
MANDELA
50
32
5
-
-
9
Q
13
First Total
129
48
12
-
-
-
-
1+3
Add to Reduce
1+2+9
4+8
1+2
-
-
9
-
4
Second Total
12
12
3
-
-
-
-
-
Reduce to Deduce
1+2
1+2
-
-
-
9
-
4
Essence of Number
3
3
3

 

 

JULY THE EIGHTEENTH TWO THOUSAND AND THIRTEEN

HAPPY NINETY FIFTH BIRTH DAY

MANDIBA

 

 

H
=
8
-
5
HAPPY
66
30
3
B
=
2
-
5
BIRTH
57
30
3
D
=
4
-
3
DAY
30
12
3
-
-
14
-
13
First Total
153
72
9
-
-
1+4
-
1+3
Add to Reduce
1+5+3
7+2
-
-
-
5
-
4
Second Total
9
9
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
5
-
4
Essence of Number
9
9
9

 

 

-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
7
7
7
-
2
-
9
2
-
-
4
1
7
+
=
47
4+7
=
11
1+1
2
=
2
=
2
-
-
-
1
16
16
25
-
2
-
18
20
-
-
4
1
25
+
=
128
1+2+8
=
11
1+1
2
=
2
=
2
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
1
16
16
25
-
2
9
18
20
8
-
4
1
25
+
=
153
1+5+3
=
9
=
9
=
9
=
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
+
=
72
4+4
=
9
=
9
=
9
=
9
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
=
2
-
-
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
=
4
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
=
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
-
-
-
-
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
4
=
28
2+8
10
1+0
1
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
=
7
-
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
=
9
14
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
31
-
-
9
-
72
-
36
-
27
1+4
1+3
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
3+1
-
-
-
-
7+2
-
3+6
-
2+7
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
-
-
-
-
-
-
-
-
-
-
-
-
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9

 

 

13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
7
7
7
-
2
-
9
2
-
-
4
1
7
+
=
47
4+7
=
11
1+1
2
=
2
=
2
-
-
1
16
16
25
-
2
-
18
20
-
-
4
1
25
+
=
128
1+2+8
=
11
1+1
2
=
2
=
2
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
8
1
16
16
25
-
2
9
18
20
8
-
4
1
25
+
=
153
1+5+3
=
9
=
9
=
9
=
9
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
+
=
72
4+4
=
9
=
9
=
9
=
9
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
=
2
-
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
=
4
-
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
4
=
28
2+8
10
1+0
1
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
=
7
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
=
9
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
31
-
-
9
-
72
-
36
-
27
1+3
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
3+1
-
-
-
-
7+2
-
3+6
-
2+7
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
-
-
-
-
-
-
-
-
-
-
-
-
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9

 

 

ONE WORLD ONE

PEOPLE

SEE THE DAY SEIZE THE PEACE

 

.....

 

 

 

THE

PROPHET

Kahil Gibran

Page 82/83/84/85/86

"If these be vague words, then seek not to clear them.

Vague and nebulous is the beginning of all things, but not their end,

And I would have you remember me as a beginning.

Life, and all that lives, is conceived in the mist and not in the crystal.

And who knows but a crystal is mist in decay

This would I have you remember in remembering me:

That which seems most feeble and bewildered in you is the strongest and most determined.

Is it not your breath that has erected and hardened the structure of your bones?

And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?

Could you but see the tides of that breath you would cease to see all else,

And if you could hear the whispering of the dream you would hear no other sound.

But you do not see, nor do you here, and it is well.

The veil that clouds your eyes shall be lifted by the hands that wove it,

And the clay that fills your ears shall be pierced by those fingers that kneaded it.

And you shall see

And you shall hear.

Yet you shall not deplore having known blindness, nor regret having been deaf

For in that day you shall know the hidden purposes in all things,

And you shall bless darkness as you would bless light.

After saying these things he looked about him,

and he saw the pilot of his ship standing by the helm

and gazing now at the full sails and now at the distance.

And he said:

Patient, over patient, is the captain of my ship.

The wind blows, and restless are the sails;

Even the rudder begs direction;

Yet quietly my captain awaits my silence.

And these my mariners, who have heard the

choir of the greater sea, they too have heard me

patiently.

Now they shall wait no longer.

I am ready

The stream has reached the sea, and once more

THE GREAT MOTHER

holds her son against her breast.

Fare you well, people of Orphalese.

This day has ended.

It is closing upon us even as the water-lily upon its own tomorrow.

What was given us here we shall keep,

And if it suffices not, then again must we come together and together

stretch our hands unto the giver.

Forget not that I shall come back to you.

A little while, and my longing shall gather dust and foam for another body.

A little while, a moment of rest upon the wind, and another woman shall bear me.

Farewell to you and the youth I have spent with you.

It was but yesterday we met in a dream.

You have sung to me in my aloneness, and I of your longings have built a tower in the sky.

But now our sleep has fled and our dream is over, and it is no longer dawn.

The noontide is upon us and our half waking has turned to fuller day, and we must part.

If in the twilight of memory we should meet once more,

we shall speak again together and you shall sing to me a deeper song.

and if our hands should meet in another dream we shall build another tower in the sky.

So saying he made a signal to the seamen,

and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.

And a cry came from the people as from a single heart,

and it rose into the dusk and was carried out over the sea like a great trumpeting.

Only Almitra was silent, gazing after the ship until it had vanished into the mist.

And when all the people were dispersed she still stood alone upon the sea-wall,

remembering in her heart his saying:

A little while, a moment of rest upon the wind, and another woman shall bear me.'

 

A
=
1
-
1
A
1
1
1
L
=
3
-
6
LITTLE
78
24
6
W
=
5
-
5
WHILE
57
30
3
A
=
1
-
1
A
1
1
1
M
=
4
-
6
MOMENT
80
26
8
O
=
6
-
2
OF
21
12
3
R
=
9
-
4
REST
62
17
8
U
=
3
-
4
UPON
66
21
3
T
=
T
-
3
THE
33
15
6
W
=
W
-
4
WIND
50
23
5
A
=
1
-
3
AND
19
10
1
A
=
1
-
7
ANOTHER
81
36
9
W
=
5
-
5
WOMAN
66
21
3
S
=
1
-
5
SHALL
52
16
7
B
=
2
-
4
BEAR
26
17
8
M
=
4
-
2
ME
18
9
9
-
-
53
-
62
First Total
711
279
81
-
-
5+3
-
6+2
Add to Reduce
7+1+1
2+7+9
8+1
-
-
8
-
8
Second Total
9
18
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
-
-
8
-
8
Essence of Number
9
9
9

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.

 

 

WAY OF THE PEACEFUL WARRIOR

A

BOOK THAT CHANGES LIVES

Dan Millman 1980

Page 44

"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 /

"Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a say­ing of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."

 

 

THE WASTE LAND

and other poems 

T. S. Elliot 1940

Page 13

The Love Song of J. Alfred Prufrock

"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"

 

 

THE LURE AND ROMANCE OF ALCHEMY.

A history of the secret link between magic and science

1990
C. J. S.Thompson

Page# 31 / 32

note 1 Julius Ruska ,Tabula Smaragdini 1926

"THE EMERALD TABLE OF HERMES: "

"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

 

I

SAY

IS THIS THE OTHER SIDE OF THE GREAT DIVIDE

?

NO ITS OVER THERE

I

HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE

 

 

1
I
9
9
9
4
THAT
49
13
4
2
AM
14
5
5
11
TERRESTRIAL
145
55
1
16
EXTRATERRESTRIAL
213
78
6
3
AND
19
10
1
9
CELESTIAL
86
32
5
2
AM
14
5
5
1
I
9
9
9
49
First Total
558
216
45
4+9
Add to Reduce
5+5+8
2+1+6
4+5
13
Second Total
18
9
9
1+3
Reduce to Deduce
1+8
-
-
4
Essence of Number
9
9
9

 

 

-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
2
``-
``-
``-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
``-
``-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
5
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
14
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
1+4
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
``-
``-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
``-
``-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

Did Spacemen Colonise the Earth?

Robin Collyns 1974

Page 206

"FINIS"

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 715

"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:

"And loving words I've carven
Upon its branches fair-"

He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:

"Its waving branches whiispered
A message in my ear -"

and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic
. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?

FINIS OPERIS

 

 
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